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photo couleur en contre-plongée. Portrait de femme, gros manteau beige et bonnet en laine vert sur la tête

© Manon Labrecque, carnet de voyages, 2005

Manon Labrecque
créer à bras-le-corps

SCREENING AND DISCUSSION

Thursday, November 29, 2018
7pm at Dazibao

Free



Vidéographe and Dazibao have invited the video artist Manon Labrecque for their new dv_vd screening.

 

a few words from the artist
My creative work is rooted in the body, in the attention given to physical sensations and in movement. I am interested in the body’s interior and exterior spaces… in physical and psychological relationships… in the embodiment of the poetic. I develop strategies to gain access to human vulnerability and strength, to delve into the interior of the being… in its depths and also its voids.

Notions of duality, of the double, of life and of death… also of ‘corporisation’ and dematerialization, gravitation and levitation…of processes of transformation are recurrent elements in my artistic practice.

I became acquainted with video in 1992… But given that I have a rather curious and inquisitive nature, over the years I have also created links with other artistic disciplines. Now, I have the pleasure of presenting to you a program bringing together for the first time works made between 2005 and 2018… Showing (among other manifestations) actions from the entirety of my practice and my artistic sensibility.

There will be bodies that fall and that levitate… bodies that appear and then disappear… silent bodies and louder bodies… bodies that contemplate and those that search… but all images and sounds create à bras-le-corps!

I thank the teams at Vidéographe and Dazibao for this invitation! 

Manon Labrecque

 

PROGRAMME (60 min)
se faire tout un scénario, 2 min 21 s, 2011
the splendours of reality and variations on the same theme.

carnet de voyages, 25 min 29 s, 2005
some experiments to tame the gravitational force [and other gravities]… and the desire to escape it.

contagion, 1 min 12 s,  2008
an attempt at echokinesis… to create a physically contagious but inoffensive moment…just a few seconds of involuntary instinctive empathy.

Actions [9], 9 min 16 sec, 2005
*video made in collaboration with Martin Tétreault
physical and sound games with a turntable… games always played with two and without ever touching!

entrevue [avec une célébrité], 5 min 1 s, [v1]-2009 [v2]-2018
a philosophical and existential interview with a celebrity that I admire.

double, 6 min 45 s, 2011
chasms and reflections… the depths of the image of the self… in itself.

selfie, 3 min 30 s, 2015
overcome the fear of losing the image of the self.

ceux qui [se] cherchent, 6 min 27 s, 2018
Jane Goodall: “Only if we understand, will we care. Only if we care, will we help. Only if we help shall all be saved.

15 secondes et 23 cadres, 15 sec 23 frames, 2018
an activist-and-diehard protest.

 

biographical notes
Manon Labrecque
I have degrees in contemporary dance and visual arts. Since 1991, I have made videos [single-channel and installation], performances, drawings, photographs, kinetic and sound installations.
For further information: manonlabrecque.com

*Martin Tétrault 
Montréal-based DJ, improviser, sound designer and artist, Martin Tétreault creates sound performances with turntables he has made or adapted himself. He has participated in numerous sound and media arts festivals and events in Quebec and abroad. He has been involved in numerous music, dance, poetry, installation and performance projects and has made more than 50 discs with artists from Quebec and beyond. In 2004, at the request of choreographer Lynda Gaudreau, he developed a musical notation system and surfaces to play, which led him to establish and perform with the turntable quartet Quatuor de tourne-disques, and with whom he released Points, lignes avec haut-parleurs on the Oral label. This affinity for dance continues with recent creations for Le chant des sirènes, by Sylvain Émard Danse, and 9, by Hélène Blackburn for Cas public. In 2015, curator Nicole Gingras published Des disques et un couteau, a monograph documenting Tétreault’s artistic work.
SMQC/MartinTétreault

 

Logo dv_vd

© Charlotte Clermont, Plants Are Like People, 2018

Technical Support Program

Call for submissions

Deadline : March 1st, 2022



CALL FOR SUBMISSIONS

Deadline : March 1st, 2021

* New: 4 calls for submissions per year

Program description

The Technical Support Program is intended to support artists interested in experimentation and in pushing the boundaries of the moving image in all its forms.
This support can be used in the production phase of the project or in the post-production phase.

A total of 4 calls for submissions per year will be made, for which the following are the deadlines;

  • March 1st (for projects that will start between April and June)
  • June 1st (for projects that will start between July and September)
  • September 1st (for projects that will start between October and December)
  • December 1st (for projects that will start between January and March)

Please note that 2 projects per call for submissions will be selected.

Artists selected under this program have free access to:

  • Our editing suites, sound booth and digitizing equipment for a maximum of two weeks. These two weeks can be contiguous or spread over 3 months.
  • Free access to available equipment belonging to Vidéographe.
  • Two meetings with Vidéographe’s team to discuss the project and its circulation potential: one meeting at the start of the project in order to specify the needs and a second meeting at the end of the project.
  • The possibility of organizing a private screening at Vidéographe.

It is not necessary to be a member of Vidéographe to apply; however, should your proposal be accepted, we will ask that you become a member. Once you have signed the agreement, you will have three months to take advantage of the benefits that this program has to offer. Regular membership fees are $50 + tx per year and student membership fees are $25 + tx per year.

We are looking to support independent experimental or documentary works that stand apart for their currency and endeavour to renew the artistic language. We will accept proposals for single-channel video, installation, Web-based work, and all other forms of moving image. We consider all genres—video art, experimental work, fiction, documentary or essay form, animation, dance video, and videoclip. Please note that all works must be independent and non-commercial. Projects of a conventional nature, such as classic short narrative film or television documentary will not be considered.

Once your project is finished, you may submit it for active distribution by Vidéographe. Please note however that acceptance into the Technical Support Program does not guarantee that your work will be distributed.

Required

  • Candidates must possess full editorial and creative control of the project.
  • Projects must be independent and non-commercial.
  • Projects that have received support through this program may not be re-submitted.
  • Student projects are not admissible.
  • We encourage traditionally under-represented artists to submit a project. Vidéographe is driven by the conviction that multiple points of views are necessary to enrich society and the discipline we work in.

Selection process

Works will be chosen by a selection committee made up of Vidéographe staff and members.

Projects that are retained will be subject to a contractual agreement between the artist and Vidéographe. Schedules, revised budgets, and requirements regarding equipment, rooms, and technical support will be planned and clearly laid out, as will the terms and conditions relative to each party.

Application file:

  • Contact information and website if applicable
  • Project description (500 words)
  • Schedule; (Overall project timeline and detailed timeline for support for creation).
  • Technical needs; (Please consult our website for more details on our editing suites and equipment).
  • Resume.
  • Supporting documentation (current or past projects);
  • Maximum 10 minutes of video footage. Please send a link to your video(s). Do not forget to include the password if applicable; and/or maximum 15 images (max: 1024 px wide, 72 dpi); sketches, plans, and mock-ups may also be submitted in PDF format.

Submission of your file

Applications will be accepted by email only. An acknowledgment of receipt will be sent. Please write TECHNICAL SUPPORT PROGRAM in the subject heading of your email and send your file to info@videographe.org. Please send your file as a SINGLE PDF document (including links to videos). Files found in the text section of the email will not be taken into account.

Please allow three weeks for a response. Vidéographe chooses eight projects per year.

© Nathalie Bujold

Works – Nathalie Bujold

Book launch at 6 pm followed by a screening at 7 pm

May 30, 2024
Dazibao Gallery

Free entry



To celebrate the publication of Nathalie Bujold’s monograph “Work,” Dazibao and Vidéographe present a special event. This occasion not only marks the launch of the publication but also showcases a curated selection of her artistic journey.

Spanning over two decades of experimental exploration, the film program features thirteen videos distributed by Vidéographe, ranging from “Emporium” to “Le chant des cerises.” Each video serves as a milestone in Bujold’s evolution as an artist, capturing her playful exploration of image, sound, and movement.

 

PROGRAM  62 minutes

  • Emporium, 10 min 55 s, 1999
  • Comptes à rebours, 3 min 25 s, 2002
  • La montagne Sainte-Victoire, 5 min 27 s,  2005. 
  • Les trains où vont les choses, 8 min 30 s, 2006
  • All the good things (we could have done), 5 min 13 s, 2008
  • Permanent smile, 4 min 20 s, 2008
  • O.K. Gerard, 4 min 11 s, 2009
  • Cabaret, 11 min 10 s, 2009
  • Merci, 1 min 15 s, 2013
  • Textile de cordes, 1 min 20 s ,2013.
  • Le meilleur de HIT, 4 min 45 s, 2009-2020
  • Métronomies, 48 s, 2022
  • Le chant des cerises, 1 min 07 s, 2023

 

BIOGRAPHY

Nathalie Bujold is a multidisciplinary artist, living and working in Montreal. In 1985,  she was one of the founders of the artist-run centrel’Œil de Poisson in Quebec City. She obtained an undergraduate degree from Université Laval in 1992, where she won the René-Richard Award. In 2008, she was awarded the Artistic Creation Award from the Conseils des arts et des lettres du Québec. In 2016, she received her master’s degree in Studio and Media Arts from UQAM. Her one chanel videos are distributed by Videographe and she is represented by ELLEPHANT gallery.