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© Katherine Liberovskaya, SpinOptique, 2018

RVQC 2020: A space for creative experimentation!

Festival

February 26 - March 7, 2020
Cinémathèque québécoise

Regular: 12$
Students, 65+: 9,50$



If you are interested in video art, documentary essay, or experimental filmmaking, the Rendez-vous Québec Cinéma will not disappoint! Vidéographe is proud to support 11 films and videos this year that represent the best in Quebecois experimentation and creativity. Among the offerings are thought-provoking works that reference the past, prompt reflections on art and celebrate artistic achievement.

RVQC program

Tickets

 

Titles

Program Divines – February 27, 7:30pm, Cinémathèque québécoise

  • How to explain performance art to my teenage daughter., Rachel Echenberg
    The artist introduces her daughter to her artistic practice with humour and playfulness.
    ► Excerpt[+]

 

Program Sous le charme – February 27, 9:30pm, Cinémathèque québécoise

  • Displacement, Maxime Corbeil-Perron
    An expressionist composition combining stop-motion animation, electroacoustic music and analogue video synthesis.
    ► Excerpt[+]

 

Program Formes et lumière – February 28, 7:30pm, Cinémathèque québécoise

  • SpinOptique, Katherine Liberovskaya
    A work that homes in on New-York based sound artist Ranjit Bhatnagar with extreme close-ups during a musical performance.
    ► Excerpt[+]
  • 3+1, Étienne de Massy – WORLD PREMIERE
    Illusion, art and ephemera interact in this intimate triptych.
  • Lumen, Sarah Seené – MONTREAL PREMIERE
    Lumen, a sensorial film shot in Super-8 that paints a portrait of an adolescent with albinism.
    ► 
    Excerpt[+]
  • Rhythm in the Backstroke, Steven Woloshen and Alexandra Grimanis – MONTREAL PREMIERE
    A musical fantasy in a spirited montage.
    ► Excerpt[+]

 

Programme Extraordinaire – March 6, 9:30pm, Cinémathèque québécoise

  • Plants Are Like People, Charlotte Clermont
    A strange dialogue takes place between intimate interventions with plants, utensils, and self-portraits with inscrutable expressions.
    ► Excerpt[+] 
  • Hanoïed, Olivia Lagacé
    A video-poem based on a text by Alexandre Dostie, Hanoïed is a never-ending train ride in the Vietnamese heat.
    ► Trailer

 

Presented with Jean-Pierre Larocque – Le fusain et l’argile – March 7 mars, 1:00pm, Cinémathèque québécoise

  • John Heward: Words and Silence, Mario Côté
    An encounter with the great Montreal painter in his studio.
    ► Trailer

 

Program Le règne animal – March 7, 7:30pm, Cinémathèque québécoise

  • Le dernier jour du papillon lune, Guillaume Vallée
    A luna moth is dying under the eyes of a child. Film shot in 16mm.
    ► Trailer

 

Programme Port d’attache – March 7, 9:00pm, Cinémathèque québécoise

  • Terres fantômes, Félix Lamarche
    Revisit Gaspésie villages that closed in the 1970s. Nature may have reclaimed these sites but the memories of their previous residents remain vivid.
    ► Trailer

 

 

© Charlotte Clermont, Plants Are Like People, 2018

Technical Support Program

Call for submissions

Deadline : March 1st, 2022



CALL FOR SUBMISSIONS

Deadline : March 1st, 2021

* New: 4 calls for submissions per year

Program description

The Technical Support Program is intended to support artists interested in experimentation and in pushing the boundaries of the moving image in all its forms.
This support can be used in the production phase of the project or in the post-production phase.

A total of 4 calls for submissions per year will be made, for which the following are the deadlines;

  • March 1st (for projects that will start between April and June)
  • June 1st (for projects that will start between July and September)
  • September 1st (for projects that will start between October and December)
  • December 1st (for projects that will start between January and March)

Please note that 2 projects per call for submissions will be selected.

Artists selected under this program have free access to:

  • Our editing suites, sound booth and digitizing equipment for a maximum of two weeks. These two weeks can be contiguous or spread over 3 months.
  • Free access to available equipment belonging to Vidéographe.
  • Two meetings with Vidéographe’s team to discuss the project and its circulation potential: one meeting at the start of the project in order to specify the needs and a second meeting at the end of the project.
  • The possibility of organizing a private screening at Vidéographe.

It is not necessary to be a member of Vidéographe to apply; however, should your proposal be accepted, we will ask that you become a member. Once you have signed the agreement, you will have three months to take advantage of the benefits that this program has to offer. Regular membership fees are $50 + tx per year and student membership fees are $25 + tx per year.

We are looking to support independent experimental or documentary works that stand apart for their currency and endeavour to renew the artistic language. We will accept proposals for single-channel video, installation, Web-based work, and all other forms of moving image. We consider all genres—video art, experimental work, fiction, documentary or essay form, animation, dance video, and videoclip. Please note that all works must be independent and non-commercial. Projects of a conventional nature, such as classic short narrative film or television documentary will not be considered.

Once your project is finished, you may submit it for active distribution by Vidéographe. Please note however that acceptance into the Technical Support Program does not guarantee that your work will be distributed.

Required

  • Candidates must possess full editorial and creative control of the project.
  • Projects must be independent and non-commercial.
  • Projects that have received support through this program may not be re-submitted.
  • Student projects are not admissible.
  • We encourage traditionally under-represented artists to submit a project. Vidéographe is driven by the conviction that multiple points of views are necessary to enrich society and the discipline we work in.

Selection process

Works will be chosen by a selection committee made up of Vidéographe staff and members.

Projects that are retained will be subject to a contractual agreement between the artist and Vidéographe. Schedules, revised budgets, and requirements regarding equipment, rooms, and technical support will be planned and clearly laid out, as will the terms and conditions relative to each party.

Application file:

  • Contact information and website if applicable
  • Project description (500 words)
  • Schedule; (Overall project timeline and detailed timeline for support for creation).
  • Technical needs; (Please consult our website for more details on our editing suites and equipment).
  • Resume.
  • Supporting documentation (current or past projects);
  • Maximum 10 minutes of video footage. Please send a link to your video(s). Do not forget to include the password if applicable; and/or maximum 15 images (max: 1024 px wide, 72 dpi); sketches, plans, and mock-ups may also be submitted in PDF format.

Submission of your file

Applications will be accepted by email only. An acknowledgment of receipt will be sent. Please write TECHNICAL SUPPORT PROGRAM in the subject heading of your email and send your file to info@videographe.org. Please send your file as a SINGLE PDF document (including links to videos). Files found in the text section of the email will not be taken into account.

Please allow three weeks for a response. Vidéographe chooses eight projects per year.