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Blur color picture. The right side is all black. Large red dots occupy the upper left side.

© Jules Saulnier, Postcard, 2014

New cartography: Digital humanities and realities

Screening

Until december 6, 2015



Curator: Lysanne Thibodeau

Artists: Yoakim Bélanger, Raphaëlle Bilodeau, Nathalie Bujold, Mélanie Carrier et Olivier Higgins, Pier-Philippe Chevigny, Mireille Dansereau, Annie Deniel, Chantal Dupont, Sébastien Gagné, Dominic Gagnon, Éléonore Goldberg, Co Hoedeman, Félix Lajeunesse et Paul Raphaël, Félix Lamarche, Fernand-Philippe Morin-Vargas, Andrée-Anne Roussel, Vincent René-Lortie et Cynthia Carazato, Alexandre Roy, Marie-Josée Saint-Pierre, Jules Saulnier, Vincent Toi, Paul Tom, Philippe Vaucher et Steven Woloshen

Today’s digital universe permeates our daily lives, but for moving image creators it has opened up the way to new forms of expression and new artistic genres. This series of programmes assembles some of Videographe’s recent acquisitions which explore some of these new narrative territories resulting from technical experimentation and aesthetic research.

This hybrid programming consists of 24 rich works of art, filmed on film or HD, gathered into six thematic chapters dealing with identity, war, exile, culture and technology. In a single programme, varied genres reveal a mix of approaches; alongside documentary you will find experimental fiction, filmic essays and various animation techniques.

Produced by new as well as accomplished artists, women and men of various experiences and backgrounds, these films trace a clear portrait of the world in which we live. Their visions dark or luminous, absurd or playful characterise well our era and act as a mirror, reflecting our own perceptions and questionings.

To encourage the local public and those from abroad, almost half of the works are without dialogue, the others are in French, English, Spanish or Mandarin, all subtitled.

These Digital Humanities and Realities will travel within America, in Europe and in Asia. They will be presented in cinematheques, museums, artist centres and universities. The presence of the artists and the curator will facilitate an exchange with the public and will be the opportunity to spark a dialogue about current media art practices and to identify new directions.

 

Identity : Womenkind
Textile de cordes, Nathalie Bujold,2013, 1 min 20
Lactée, Andrée-Anne Roussel, 2014, 14 min 42
Visages, Chantal Dupont, 2013, 2 min 14
Ces femmes qui marchent, Yoakim Bélanger, 2012, 7 min 38
Femelles, Marie-Josée Saint-Pierre, 2012, 32 min
Le Pier, Mireille Dansereau, 2014, 29 min 34

Men and Society
Not delivered, Vincent René-Lortie et Cynthia Carazato, 2013, 2 min
Condominium, Fernand-Philippe Morin-Vargas, 2013, 6 min
Monsieur L’Hermitte, Sébastien Gagné, 2013, 21 min
Des Hommes à la mer, Félix Lamarche, 2012, 18 min 11

Art and War
Errance, Éléonore Goldberg, 2013, 6 min 11
La Bille bleue, Co Hoedeman,2014, 6 min 12
Le Voyage du soldat, Annie Deniel, 2014, 7 min 45
Le Puits, Philippe Vaucher, 2013, 12 min 05

Exile : Profile Asia
Postcard, Jules Saulnier, 2014, 3 min
Différence d’altitude, Vincent Toi, 2011, 7 min 30
Un pays de silences, Paul Tom, 2013, 22 min 54
Tala, Pier-Philippe Chevigny, 2013, 12 min
Épicentres, Raphaëlle Bilodeau, 2013, 15 min 10
The sparkling river, Félix Lajeunesse et Paul Raphaël, 2013, 18 min

Techno et Apocalypse
Tigre, Alexandre Roy, 2013, 2 min 56
hoax_canular, Dominic Gagnon, 2013, 92 min

Cultures and Landscapes
1000 Plateaus (2004-2014), Steven Woloshen, 2014, 3 min 21
Québékoisie, Mélanie Carrier et Olivier Higgins, 2013, 80 min

© Charlotte Clermont, Plants Are Like People, 2018

Technical Support Program

Call for submissions

Deadline : March 1st, 2022



CALL FOR SUBMISSIONS

Deadline : March 1st, 2021

* New: 4 calls for submissions per year

Program description

The Technical Support Program is intended to support artists interested in experimentation and in pushing the boundaries of the moving image in all its forms.
This support can be used in the production phase of the project or in the post-production phase.

A total of 4 calls for submissions per year will be made, for which the following are the deadlines;

  • March 1st (for projects that will start between April and June)
  • June 1st (for projects that will start between July and September)
  • September 1st (for projects that will start between October and December)
  • December 1st (for projects that will start between January and March)

Please note that 2 projects per call for submissions will be selected.

Artists selected under this program have free access to:

  • Our editing suites, sound booth and digitizing equipment for a maximum of two weeks. These two weeks can be contiguous or spread over 3 months.
  • Free access to available equipment belonging to Vidéographe.
  • Two meetings with Vidéographe’s team to discuss the project and its circulation potential: one meeting at the start of the project in order to specify the needs and a second meeting at the end of the project.
  • The possibility of organizing a private screening at Vidéographe.

It is not necessary to be a member of Vidéographe to apply; however, should your proposal be accepted, we will ask that you become a member. Once you have signed the agreement, you will have three months to take advantage of the benefits that this program has to offer. Regular membership fees are $50 + tx per year and student membership fees are $25 + tx per year.

We are looking to support independent experimental or documentary works that stand apart for their currency and endeavour to renew the artistic language. We will accept proposals for single-channel video, installation, Web-based work, and all other forms of moving image. We consider all genres—video art, experimental work, fiction, documentary or essay form, animation, dance video, and videoclip. Please note that all works must be independent and non-commercial. Projects of a conventional nature, such as classic short narrative film or television documentary will not be considered.

Once your project is finished, you may submit it for active distribution by Vidéographe. Please note however that acceptance into the Technical Support Program does not guarantee that your work will be distributed.

Required

  • Candidates must possess full editorial and creative control of the project.
  • Projects must be independent and non-commercial.
  • Projects that have received support through this program may not be re-submitted.
  • Student projects are not admissible.
  • We encourage traditionally under-represented artists to submit a project. Vidéographe is driven by the conviction that multiple points of views are necessary to enrich society and the discipline we work in.

Selection process

Works will be chosen by a selection committee made up of Vidéographe staff and members.

Projects that are retained will be subject to a contractual agreement between the artist and Vidéographe. Schedules, revised budgets, and requirements regarding equipment, rooms, and technical support will be planned and clearly laid out, as will the terms and conditions relative to each party.

Application file:

  • Contact information and website if applicable
  • Project description (500 words)
  • Schedule; (Overall project timeline and detailed timeline for support for creation).
  • Technical needs; (Please consult our website for more details on our editing suites and equipment).
  • Resume.
  • Supporting documentation (current or past projects);
  • Maximum 10 minutes of video footage. Please send a link to your video(s). Do not forget to include the password if applicable; and/or maximum 15 images (max: 1024 px wide, 72 dpi); sketches, plans, and mock-ups may also be submitted in PDF format.

Submission of your file

Applications will be accepted by email only. An acknowledgment of receipt will be sent. Please write TECHNICAL SUPPORT PROGRAM in the subject heading of your email and send your file to info@videographe.org. Please send your file as a SINGLE PDF document (including links to videos). Files found in the text section of the email will not be taken into account.

Please allow three weeks for a response. Vidéographe chooses eight projects per year.

© Nathalie Bujold

Works – Nathalie Bujold

Book launch at 6 pm followed by a screening at 7 pm

May 30, 2024
Dazibao Gallery

Free entry



To celebrate the publication of Nathalie Bujold’s monograph “Work,” Dazibao and Vidéographe present a special event. This occasion not only marks the launch of the publication but also showcases a curated selection of her artistic journey.

Spanning over two decades of experimental exploration, the film program features thirteen videos distributed by Vidéographe, ranging from “Emporium” to “Le chant des cerises.” Each video serves as a milestone in Bujold’s evolution as an artist, capturing her playful exploration of image, sound, and movement.

 

PROGRAM  62 minutes

  • Emporium, 10 min 55 s, 1999
  • Comptes à rebours, 3 min 25 s, 2002
  • La montagne Sainte-Victoire, 5 min 27 s,  2005. 
  • Les trains où vont les choses, 8 min 30 s, 2006
  • All the good things (we could have done), 5 min 13 s, 2008
  • Permanent smile, 4 min 20 s, 2008
  • O.K. Gerard, 4 min 11 s, 2009
  • Cabaret, 11 min 10 s, 2009
  • Merci, 1 min 15 s, 2013
  • Textile de cordes, 1 min 20 s ,2013.
  • Le meilleur de HIT, 4 min 45 s, 2009-2020
  • Métronomies, 48 s, 2022
  • Le chant des cerises, 1 min 07 s, 2023

 

BIOGRAPHY

Nathalie Bujold is a multidisciplinary artist, living and working in Montreal. In 1985,  she was one of the founders of the artist-run centrel’Œil de Poisson in Quebec City. She obtained an undergraduate degree from Université Laval in 1992, where she won the René-Richard Award. In 2008, she was awarded the Artistic Creation Award from the Conseils des arts et des lettres du Québec. In 2016, she received her master’s degree in Studio and Media Arts from UQAM. Her one chanel videos are distributed by Videographe and she is represented by ELLEPHANT gallery.