Introduction to final cut pro X

Workshop

Saturday 4 June and 11 June, 2016

Vidéographe

$85 members / $135 non-members

Saturdays 4 & 11 June, 10:00 – 18:00

Workshop led in French by Tomi Grgicevic

Between the release of Final Cut Pro 7 and Final Cut Pro X, Apple has made substantial architectural changes to their software, forcing users to relearn how to use it.

Through a combination of theoretical instruction and practical exercises, this course will develop participants’ technical ability, enabling them use this completely remodelled software to carry out simple editing independently.

The course is intended for beginners as well as those who have already worked with Final Cut 7, or another editing software, and would like to continue with Final Cut X. Only the basics of the software will be covered.

The following will be included in the course plan:

–              Software interface
–              Importing media on to FCP
–              Managing video and audio clips through the software (Library, Event, Project)
–              Organizing clips in a project (Smart Collections, Keywords, Events, etc.)
–              Creating an FCP project
–              Principles of Magnetic Timeline and Connected Clips
–              Editing tools and their use in different editing situations
–              Compound clips
–              Transcoding media
–              Video and audio effects
–              Transitions
–              Slowing down and speeding up
–              Titles
–              Finalizing and exporting a project

Practical exercises will be carried out so that each participant can put the theory they have learned into practice. Computers will be provided on demand, subject to availability. Participants are encouraged to bring their laptops.

When: Saturday 4 June and 11 June, 10:00 – 18:00
Where: Vidéographe, 4550 Garnier Street, Montréal, QC H2J 3S7
Public transport: Mont-Royal metro; Buses 27, 45 and 97
Price: $85 members / $135 non-members

For further information on courses or to reserve a place, please contact

Olivia Lagacé
(514) 521-2116 (ext. 221)
info@videographe.org

Tomi Grgicevi

works as a director, cameraman, and editor on varied projects from independent film (fiction and documentary) to corporate videos, video clips, and shows. Originally from Slovenia, he moved to Montréal in 1993 and has made several documentaries and short fiction films, for which he has received, among other prizes, the Rendez-vous du cinéma québécois award for innovation.

@Charlotte Clermont, Plants Are Like People, 2018_soutien_technique_cover_mars2022

Technical Support Program

Call for submissions

Deadline : March 1st, 2022

CALL FOR SUBMISSIONS

Deadline : March 1st, 2021

* New: 4 calls for submissions per year

Program description

The Technical Support Program is intended to support artists interested in experimentation and in pushing the boundaries of the moving image in all its forms.
This support can be used in the production phase of the project or in the post-production phase.

A total of 4 calls for submissions per year will be made, for which the following are the deadlines;

March 1st (for projects that will start between April and June)
June 1st (for projects that will start between July and September)
September 1st (for projects that will start between October and December)
December 1st (for projects that will start between January and March)

Please note that 2 projects per call for submissions will be selected.

Artists selected under this program have free access to:

Our editing suites, sound booth and digitizing equipment for a maximum of two weeks. These two weeks can be contiguous or spread over 3 months.
Free access to available equipment belonging to Vidéographe.
Two meetings with Vidéographe’s team to discuss the project and its circulation potential: one meeting at the start of the project in order to specify the needs and a second meeting at the end of the project.
The possibility of organizing a private screening at Vidéographe.

It is not necessary to be a member of Vidéographe to apply; however, should your proposal be accepted, we will ask that you become a member. Once you have signed the agreement, you will have three months to take advantage of the benefits that this program has to offer. Regular membership fees are $50 + tx per year and student membership fees are $25 + tx per year.

We are looking to support independent experimental or documentary works that stand apart for their currency and endeavour to renew the artistic language. We will accept proposals for single-channel video, installation, Web-based work, and all other forms of moving image. We consider all genres—video art, experimental work, fiction, documentary or essay form, animation, dance video, and videoclip. Please note that all works must be independent and non-commercial. Projects of a conventional nature, such as classic short narrative film or television documentary will not be considered.

Once your project is finished, you may submit it for active distribution by Vidéographe. Please note however that acceptance into the Technical Support Program does not guarantee that your work will be distributed.

Required

Candidates must possess full editorial and creative control of the project.
Projects must be independent and non-commercial.
Projects that have received support through this program may not be re-submitted.
Student projects are not admissible.
We encourage traditionally under-represented artists to submit a project. Vidéographe is driven by the conviction that multiple points of views are necessary to enrich society and the discipline we work in.

Selection process

Works will be chosen by a selection committee made up of Vidéographe staff and members.

Projects that are retained will be subject to a contractual agreement between the artist and Vidéographe. Schedules, revised budgets, and requirements regarding equipment, rooms, and technical support will be planned and clearly laid out, as will the terms and conditions relative to each party.

Application file:

Contact information and website if applicable
Project description (500 words)
Schedule; (Overall project timeline and detailed timeline for support for creation).
Technical needs; (Please consult our website for more details on our editing suites and equipment).
Resume.
Supporting documentation (current or past projects);
Maximum 10 minutes of video footage. Please send a link to your video(s). Do not forget to include the password if applicable; and/or maximum 15 images (max: 1024 px wide, 72 dpi); sketches, plans, and mock-ups may also be submitted in PDF format.

Submission of your file

Applications will be accepted by email only. An acknowledgment of receipt will be sent. Please write TECHNICAL SUPPORT PROGRAM in the subject heading of your email and send your file to info@videographe.org. Please send your file as a SINGLE PDF document (including links to videos). Files found in the text section of the email will not be taken into account.

Please allow three weeks for a response. Vidéographe chooses eight projects per year.

Illustration: Lee Lai

Eleven cultural organizations in Montreal affirm or reaffirm their endorsement of PACBI and restate their commitment to the liberation of Palestine.

PRESS RELEASE

In a strong statement of solidarity, eleven cultural organizations in Montreal have officially endorsed the Palestinian Campaign for the Academic and Cultural Boycott of Israel (PACBI), highlighting their commitment to the global Boycott, Divestment, and Sanctions (BDS) movement. This collective action underscores the essential role of culture in resisting colonial oppression and supporting the liberation of Palestine. While a ceasefire agreement has been partially reached, this support affirms that the struggle for justice, resistance, and liberation is more important than ever.

The BDS movement, launched in 2004 by Palestinian civil society, calls for sustained and nonviolent pressure to end the Israeli colonial project and the ongoing occupation of Palestinian lands. The demands of the movement are as follows :

End the occupation and colonization of all Palestinian lands and dismantle the apartheid wall
Recognize the full rights of Palestinians to equality, both within the 1948 borders and in the occupied territories
Uphold the right of Palestinian refugees to return to their homes, as enshrined in international law and United Nations Resolution 194.

By supporting PACBI, these organizations reject complicity in the normalization of the Israeli colonial regime. On the contrary, they commit to supporting Palestinian self-determination by promoting artistic practices and cultural collaborations that resist colonial oppression and amplify the voices of liberation.

In October 2023, over 4,000 Canadian artists and cultural workers signed a solidarity letter stating: ”As artists, cultural workers, and academics, we firmly support the Palestinian struggle for freedom and against all forms of racism and colonial violence.” This collective statement underscores the belief that art is inherently political and that artists have a responsibility to stand in solidarity with oppressed communities, including Palestinians. (Hernandez, Cassie. “4,000 Canadian Artists and Cultural Workers Sign Palestine Solidarity Letter.” Hyperallergic, 20 Oct. 2023.)

Montreal, known for its vibrant cultural landscape, has a long history of engagement in global struggles for justice. This collective decision reflects a growing awareness among cultural workers of the importance of international solidarity in the fight against colonialism and apartheid.

This support comes at a critical time, as Palestinians face escalating land theft, systemic violence, and forced displacement under the ongoing Israeli occupation. The decision of these organizations to join PACBI is a long-awaited declaration that culture must align with the values of justice and liberation.

The organizations supporting this initiative are joining a growing global movement of artists, academics, and cultural workers committed to supporting the Palestinian people in their struggle for liberation and self-determination. These organizations hope that more groups will adopt PACBI across Quebec and Canada.

To date, the following organizations have united their efforts to support or reaffirm their commitments to PACBI: Ada X, articule, Atelier La Coulée, Céline Bureau, Centre Clark, Centre des arts actuels SKOL, Dazibao, Metonymy Press, Oboro, PME-ART, and Vidéographe.

About PACBI

The Palestinian Campaign for the Academic and Cultural Boycott of Israel (PACBI) was launched in 2004 as part of the BDS movement. It calls on cultural institutions and individuals to refuse complicity in violations of international law and human rights committed by the colonial regime, emphasizing the transformative power of global solidarity. PACBI is committed to freedom of expression as outlined in the United Nations International Covenant on Civil and Political Rights (ICCPR) and, in principle, rejects boycotts of individuals based on their opinions or identity (such as citizenship, race, gender, or religion).