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Introduction to creating a web TV channel and documentary web series

Workshop

Saturdays 11, 18, 25 February, 11 & 18 March 2017, 10 a.m. to 6pm
Vidéographe

185$



Course led in French by Simon Paradis

The course, ‘Introduction to creating a web TV channel and documentary web series’ will introduce participants to the world of quality and original documentary web TV. They will learn about different funding streams and distributors of French audio-visual material in Quebec, will be taught how to disseminate and promote audio-visual content on the web, and will become equipped to deal with challenges that can crop up in weekly homemade web production.

The course will alternate between theory and practice-based components so that participants can put what they have learned into practice. The practical components will give participants the opportunity, over five sessions, to create a basic functioning and independent web TV channel.

The Course

Theory-based component (24 hours)

The course will provide all technical information necessary to create a documentary web TV channel and web series. It will introduce the philosophy of information technology and the web, and give examples of international cultural web TV platforms and web documentaries. Next, a chosen subject of interest and artistic direction will be discussed, followed by the pre-production of a web series and financial strategies. Finally, different strategies of dissemination and promotion will be presented and the difficulties associated with breaking though the ambient noise of the web will be addressed.

Participants will draw up a development plan for a web TV channel, a budget for a three-part web series, and a promotional plan.

Practice-based component (10 hours)

Alone or in pairs, participants will create two three-minute episodes in documentary, magazine, or essay form on an arts-related subject. They will have ten hour-long sessions to complete all stages of production: subject choice, coordination, visuals and graphics, choice of equipment, location scouting, filming, editing, and marketing.

The instructor will integrate the videos into a single web documentary using Klynt, an interactive storytelling software. Developed by Parisian documentary-makers to make their works available on the web, Klynt is effective and simple to use and is the software of choice for numerous local and international television stations for creating interactive web sites. A brief overview of Klynt functions will be given.

Participants will have access to Vidéograph’s filming equipment and editing suites free of charge.

Prerequisites

Applicants should have sufficient knowledge to enable them to operate a camera and sound recording equipment independently and have basic knowledge about the web and video editing software.

Conditions of Admission

This course is intended for artists or those working or seeking work in the field of media arts. Applicants should reside on the island of Montréal and be available throughout the duration of the course, which is partly funded by Emploi-Québec.

Enrolment

Please contact info@videographe.org to register your interest and reserve a place.

Where: Vidéographe, 4550 Garnier Street, Montreal, QC  H2J 3S7
When: Saturdays 11, 18, 25 February, 11 & 18 March 2017, 10am to 6 pm
Public transport: Metro – Mont-Royal; Bus – lines 27, 45 and 97
Price: $185 + tax

For further information or to reserve a place, please contact
Olivia Lagacé
(514) 521-2116 (ext 221)
info@videographe.org

Simon Paradis

Simon Paradis has been producer and director of airelibre.tv, a web TV channel dedicated to literature and the arts, since 2012. He makes literary shows  Rature et lit (airelibre.tv, Bell Fibe,  TV1 and Canal Savoir) and Between the Pages (airelibre.tv and Bell Fibe TV1 ). He also makes A View From the Porch, a show about architecture and Montréal life styles. He is currently developing a Booktube concept and a web documentary, 5-10-15 : booktube familial, which will be targeted at parents and promote children’s reading. He manages the non-profit organization Diffusion aire libre and is an active member of Vidéographe.

© Charlotte Clermont, Plants Are Like People, 2018

Technical Support Program

Call for submissions

Deadline : March 1st, 2022



CALL FOR SUBMISSIONS

Deadline : March 1st, 2021

* New: 4 calls for submissions per year

Program description

The Technical Support Program is intended to support artists interested in experimentation and in pushing the boundaries of the moving image in all its forms.
This support can be used in the production phase of the project or in the post-production phase.

A total of 4 calls for submissions per year will be made, for which the following are the deadlines;

  • March 1st (for projects that will start between April and June)
  • June 1st (for projects that will start between July and September)
  • September 1st (for projects that will start between October and December)
  • December 1st (for projects that will start between January and March)

Please note that 2 projects per call for submissions will be selected.

Artists selected under this program have free access to:

  • Our editing suites, sound booth and digitizing equipment for a maximum of two weeks. These two weeks can be contiguous or spread over 3 months.
  • Free access to available equipment belonging to Vidéographe.
  • Two meetings with Vidéographe’s team to discuss the project and its circulation potential: one meeting at the start of the project in order to specify the needs and a second meeting at the end of the project.
  • The possibility of organizing a private screening at Vidéographe.

It is not necessary to be a member of Vidéographe to apply; however, should your proposal be accepted, we will ask that you become a member. Once you have signed the agreement, you will have three months to take advantage of the benefits that this program has to offer. Regular membership fees are $50 + tx per year and student membership fees are $25 + tx per year.

We are looking to support independent experimental or documentary works that stand apart for their currency and endeavour to renew the artistic language. We will accept proposals for single-channel video, installation, Web-based work, and all other forms of moving image. We consider all genres—video art, experimental work, fiction, documentary or essay form, animation, dance video, and videoclip. Please note that all works must be independent and non-commercial. Projects of a conventional nature, such as classic short narrative film or television documentary will not be considered.

Once your project is finished, you may submit it for active distribution by Vidéographe. Please note however that acceptance into the Technical Support Program does not guarantee that your work will be distributed.

Required

  • Candidates must possess full editorial and creative control of the project.
  • Projects must be independent and non-commercial.
  • Projects that have received support through this program may not be re-submitted.
  • Student projects are not admissible.
  • We encourage traditionally under-represented artists to submit a project. Vidéographe is driven by the conviction that multiple points of views are necessary to enrich society and the discipline we work in.

Selection process

Works will be chosen by a selection committee made up of Vidéographe staff and members.

Projects that are retained will be subject to a contractual agreement between the artist and Vidéographe. Schedules, revised budgets, and requirements regarding equipment, rooms, and technical support will be planned and clearly laid out, as will the terms and conditions relative to each party.

Application file:

  • Contact information and website if applicable
  • Project description (500 words)
  • Schedule; (Overall project timeline and detailed timeline for support for creation).
  • Technical needs; (Please consult our website for more details on our editing suites and equipment).
  • Resume.
  • Supporting documentation (current or past projects);
  • Maximum 10 minutes of video footage. Please send a link to your video(s). Do not forget to include the password if applicable; and/or maximum 15 images (max: 1024 px wide, 72 dpi); sketches, plans, and mock-ups may also be submitted in PDF format.

Submission of your file

Applications will be accepted by email only. An acknowledgment of receipt will be sent. Please write TECHNICAL SUPPORT PROGRAM in the subject heading of your email and send your file to info@videographe.org. Please send your file as a SINGLE PDF document (including links to videos). Files found in the text section of the email will not be taken into account.

Please allow three weeks for a response. Vidéographe chooses eight projects per year.

© Lynn Hershman-Leeson, Seeing is Believing, 1991

Mentorship Program

CALL FOR SUBMISSIONS

Deadline : May 28th, 2024
Vidéographe



Program Description:

Vidéographe’s mentorship program is intended to encourage the professional and artistic development of Montreal-based artists in the early stages of their career. Selected participants in this program will benefit from 16 hours of consultation time with a professional artist in their field. The mentorship program can help in developing a new project, exploring a new technique, or in completing a work-in-progress.

 

Artists selected under this program have free access to:

16 hours of mentorship from an established artist working in their field. Access to Vidéographe’s editing suites, sound booth, digitizing equipment, and analog and digital video equipment up to a value of 1000$. Should the project require additional support thereafter a preferential rate will be applied. Please note that artists are expected to be self-sufficient as Vidéographe’s team can only offer limited hands-on technical support.

 

See all our mentor profiles HERE

 

Eligibility:

Vidéographe is looking to support independent experimental, or documentary works that stand apart for their currency and endeavour to renew the artistic language. We will accept proposals for single-channel video, installation, Web-based work, and all other forms of moving image. We consider all genres: video art, experimental work, fiction, documentary or essay form, animation, dance video, and videoclip. Please note that all works must be independent and non-commercial. Projects of a conventional nature, such as classic short narrative film or television documentary will not be considered.

 

  • Candidates must possess full editorial and creative control of the project.
  • Candidates must be emerging artists living in Montreal.
  • Projects must be independent and non-commercial.
  • Projects that have received support through this program may not be re-submitted.
  • Student projects are not admissible.

 

We encourage traditionally under-represented artists to submit a project. Vidéographe embraces the notion of an intellectual community enriched by diversity along many axes, including race, indigeneity, ethnicity, trans/nationality, gender identity and expression, sexual orientation, class, age, religion, ability, and neurodiversity.

 

Evaluation criteria:

Proposals are evaluated on the following criteria:

  • Contribution of the Mentorship Program to the project and to the artist’s professional development.
  • Thoroughness and relevance of research.
  • Innovative character of the project.

 

Selection process:

Works will be chosen by a selection committee made up of professional media artists and Vidéographe staff members. Projects that are retained will be subject to a contractual agreement between the artist and Vidéographe. Schedules, revised budgets, and requirements regarding equipment, rooms, and technical support will be planned and clearly laid out, as will the terms and conditions relative to each party.

 

Submissions:

Applications must include the following:

  • The candidate’s contact information and website (if applicable).
  • An artist statement (max 300 words)
  • A project description (max 500 words)
  • A motivational letter stipulating the candidate’s desired mentor mentors and why (see all our mentor profiles HERE), as well as the candidate’s expected benefits from this program (max 500 words)
  • A schedule including the overall project timeline and detailed timeline for the Mentorship Program.
  • Technical requirements (please consult our website for more details on our editing suites and equipment).
  • The candidate’s CV (max 3 pages).
  • Visual support material including current or past projects. Maximum of 10 minutes of video footage. Please send a link to your video(s). Do not forget to include the password if applicable. Up to 15 images, sketches, plans, and mock-ups may also be submitted in PDF format.

 

Applications will be accepted by email only. Please send your file as a SINGLE PDF document including links to videos and other visual support material (max 25MB). Incomplete applications will not be considered nor will files found in the text section of the email.

 

Please write mentorship program in the subject heading of your email and send your application to info@videographe.org. An acknowledgment of receipt will be sent within 1 week of receipt.

 

Note that it is not necessary to be a member of Vidéographe to apply; however, should your proposal be accepted, we will ask that you become a member. Once you have signed the agreement, you will have up to six months to take advantage of the benefits that this program has to offer. Regular membership fees are $50 + taxes per year and student membership fees are $25 + taxes per year.

 

Once your project is finished, you may submit it for active distribution by Vidéographe. Please note however that acceptance into the Mentorship Program does not guarantee that your work will be distributed.

 

For equity reasons, should you require any accommodations or need to submit your application in an alternative format, please contact the program coordinator at info@videographe.org or at (514) 521-2116 ext: 221.

 

Applicants will be notified by the end of June 2024. Please note that Vidéographe can only support 4 projects per year.

 

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