ALL THE IMAGESKim Kielhofner at Occurrence

©The Coldest Day of the Year, Kim Kielhofner, 2019

ALL THE IMAGES
Kim Kielhofner at Occurrence

PROGRAMMING

From January 18 to February 19, 2024
Vernissage: January 18, 5 pm - 10 pm

Occurrence - Espace d'art et d'essai contemporains
5455 Av. de Gaspé #108, Montréal, QC H2T 3B3

Free entry

Created as part of the LUX residency program offered by Main Film, OBORO, PRIM, and Vidéographe with support from CALQ, ALL THE IMAGES, a work by multidisciplinary artist Kim Kielhofner, explores the inherent coherence of present and past narratives.

Presented in the watermark in her works, the artist positions herself as the main subject in the construction of narratives that shape us as individuals. The progression of images, collages, and various elements visually portrays the unfolding of time and space throughout our lives. While Kielhofner’s narrative acts as an anchor or entry point into our journey within the artwork, ALL THE IMAGES ultimately blurs our direct experience of the pieces, akin to traversing a mirror, intertwining it with the artist’s distinctive path.

The artist wishes to thank Barbara Ulrich, Julie Tremble, Christine Boudreau, Marianna Milhorat, David Martineau Lachance, Andras Csazar, Sam Meech, Aaron Pollard, Alexis Landriault, Sami Zenderoudi, Lili Michaud, Siam Obregón and the teams of Vidéographe and Occurrence.

Works presented

ALL THE IMAGES

Kim Kielhofner

8 min 57 s

2020

ALL THE IMAGES is a video installation that takes on an imagined future. There has been a cataclysmic event that has made tracing a coherent meaning of the past and recounting a narrative of the present impossible. The imaginary space of ALL THE IMAGES is unfixed, constantly being defined by what has happened before without ever knowing what it is. The space interrogates the possibilities and authenticity of the image. It is fragmentary, building temporary structures (collages) for hypotheses to gather and then releasing them to be re-formed.

The Coldest Day of the Year

Kim Kielhofner

8 min 36 s

2020

The Coldest Day of the Year takes place in a future where there has been a cataclysmic event that has made tracing a coherent meaning of the past and recounting a narrative of the present impossible. The narrator believes she has seen another being in this destroyed landscape. She attempts to find this figure and recounts a journey that traces the shadows of her presence. Using temporary sets, props and collaged images, The Coldest Day of the Year recounts an attempt to understand an ever-shifting horizon and possibility of dwelling.

Atlas, nébuleuses du Sphinx

PROGRAMMING

From January 28 to April 28, 2024
Opening : January 28, at 2pm

MAC LAU
101 Pl. du Curé-Labelle, Saint-Jérôme, QC J7Z 1X6

A choral and transdisciplinary project by Suzan Vachon, artist-curator.

Exhibition produced by MAC LAU / Suzan Vachon / Vidéographe

This Atlas was first initiated in 2019 by a curatorial project at Vidéographe entitled “Questions adressées au Sphinx.” Surveying the Vidéographe collection, like an alley of Sphinxes, and guided by a perception of the visible apprehended as a mystery, this active commitment to documented wanderings gradually unfolded around open questions, fictional and existential concepts soliciting transdisciplinary encounters, leading to the choral project “Atlas, nébuleuses du Sphinx.”

“Atlas, nébuleuses du Sphinx” is structured around five distinct spaces of constellated images, five nebulae of images testing their attractions, around which satellite works gravitate. Islands of stars map an atlas of dialectical relationships in which different time-spaces meet. But also, polyglot and transdisciplinary discussions to which I have invited some timeless figures of the enigma, some artists of the dark and miraculous matter (ghosts and revenants, dead or alive…). Warburg, Benjamin, and Godard, among others, held my hand during this four-year journey, where one works in a telepathic relationship with another, and beyond the certainties of seeing, allowed us to sense the complexity of their relationships.

Faced with the uncertainty of this challenge, moved by the possible stakes of these dangerous liaisons, I invited the chimerical figure of the Sphinx into the age-old game of these fabulous enigmas.

In this setting in motion of bodies and thought, together we turned the mirror of specular and unsuspected oscillations.

Together, we composed this Atlas, nebulae of the Sphinx.

Straddling heterogeneous, multiple, and eccentric spaces and temporalities, we shook our contemporaneity.

Accompanied by communities of loners, we were the dazzled witnesses of transfigured nights.

– Suzan Vachon

Works on display

Ïsmail Bahri, Frederique Beaupré-Decoste, Nicolas Bernier, Maude Bertrand, Marie-Claude Bouthillier, Jacynthe Carrier, Isaiah Ceccarelli, Sébastien Cliche, Martin Désilets, Mélanie Dumas, Vincent Lussier, Daniel Olsen, Natacha Nisic, Alex Pouliot, Francois Rioux, Suzan Vachon, Florence Viau

This research and creation project is carried out in partnership with Vidéographe and MAC LAU, who have encouraged and supported the project at all times.

The artist wishes to thank
The Canada Council for the Arts and the Conseil des arts et des lettres du Québec for their financial support. The Montreal Museum of Fine Arts for the loan of a work of art from the Quebec and Canadian art collection, inv.2016.146. Center SAGAMIE, Atelier des Hauteurs, Atelier Michel Séguin, Atelier de l’île, for their professional support.

To all the artists who made this choral gathering of luminous hospitality possible, thank you for your unreserved trust.

Technical Support Program

Call for submissions

Open at all times

Application Deadline:

Open at all times.

Program Description:

The Technical Support Program is intended to support artists interested in experimentation and in pushing the boundaries of the moving image in all its forms. The kind of support offered is tailored to each project depending on the project’s specific pre-defined needs. This support can be used in the research phase, the production phase or in the post-production phase of a project.

Artists selected under this program have free access to:

Vidéographe’s editing suites, sound booth, digitizing equipment, and analog and digital video equipment up to a value of 500$. Should the project require additional support thereafter a preferential rate will be applied. Please note that artists are expected to be self-sufficient as Vidéographe’s team can only offer limited hands-on technical support.

Artists can also benefit from up to two meetings with Vidéographe’s team to discuss the project and to receive feedback. These meetings could be with different members of the team depending on how far along the project is and on the specific needs of the project and the artist.

Eligibility:

Vidéographe is looking to support independent experimental, or documentary works that stand apart for their currency and endeavour to renew the artistic language. We will accept proposals for single-channel video, installation, Web-based work, and all other forms of moving image. We consider all genres: video art, experimental work, fiction, documentary or essay form, animation, dance video, and videoclip. Please note that all works must be independent and non-commercial. Projects of a conventional nature, such as classic short narrative film or television documentary will not be considered.

Candidates must possess full editorial and creative control of the project.
Projects must be independent and non-commercial.
Projects that have received support through this program may not be re-submitted.
Student projects are not admissible.

We encourage traditionally under-represented artists to submit a project. Vidéographe embraces the notion of an intellectual community enriched by diversity along many axes, including race, indigeneity, ethnicity, trans/nationality, gender identity and expression, sexual orientation, class, age, religion, ability, and neurodiversity.

Evaluation criteria:

Proposals are evaluated on the following criteria:

Contribution of the Technical Support Program to project’s development.
Thoroughness and relevance of research.
Innovative character of the project.

Selection process:

Works will be chosen by a selection committee made up of Vidéographe staff members. Projects that are retained will be subject to a contractual agreement between the artist and Vidéographe. Schedules, revised budgets, and requirements regarding equipment, rooms, and technical support will be planned and clearly laid out, as will the terms and conditions relative to each party.

Submissions:

Applications must include the following:

The candidate’s contact information and website (if applicable).
An artist statement (max 300 words)
A project description (max 500 words)
A schedule including the overall project timeline and detailed timeline for the Technical Support Program.
Technical requirements (please consult our website for more details on our editing suites and equipment).
The candidate’s CV (max 3 pages).
Visual support material including current or past projects. Maximum of 10 minutes of video footage. Please send a link to your video(s). Do not forget to include the password if applicable. Up to 15 images, sketches, plans, and mock-ups may also be submitted in PDF format.

Applications will be accepted by email only. Please send your file as a SINGLE PDF document including links to videos and other visual support material (max 25MB). Incomplete applications will not be considered nor will files found in the text section of the email.

Please write technical support program in the subject heading of your email and send your application to info@videographe.org. An acknowledgment of receipt will be sent within 1 week of receipt.

Note that it is not necessary to be a member of Vidéographe to apply; however, should your proposal be accepted, we will ask that you become a member. Once you have signed the agreement, you will have up to six months to take advantage of the benefits that this program has to offer. Regular membership fees are $50 + taxes per year and student membership fees are $25 + taxes per year.

Once your project is finished, you may submit it for active distribution by Vidéographe. Please note however that acceptance into the Technical Support Program does not guarantee that your work will be distributed.

For equity reasons, should you require any accommodations or need to submit your application in an alternative format, please contact the program coordinator at info@videographe.org or at (514) 521-2116 ext: 221.

Please allow six weeks for a response. Please note that Vidéographe can only support a limited number of projects per year.