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©Owen Eric Wood, Self Portrait, 2004

Lucie Szechter
Sharing One’s Own Face

Online programme

May 24 - August 24, 2018
Vithèque

Free viewing



Sharing One’s Own Face is a project by French researcher and artist Lucie Szechter, made from Vidéographe’s collection as part of a research and curatorial residency, which considers the issues raised by the face in the practice of filming the self.

What is “autofilmage” (self-filming)? 
Literally, auto, from the Greek αὐτὸς, means ‘by oneself’ and filmage, the act of filming. To film oneself. The first device for self-filming that comes to mind is undoubtedly the camera held by a fist turned towards the person who is filming themselves, as when ‘selfie’ videos are shot on a cell phone. This is easily identified when you come across a field of arms holding recording devices. The gesture brings together two functions of the video’s auteur within the actual frame itself: the person being filmed is also the person shooting the video, and vice versa. [ + ]

Watch the programme here +

Selected works
Abba Mao, Pascal Lièvre, 2011, 4 min 30 s
L’image de l’Afrique au Québec, Cheikh Tidiane Gadio, 1986, 27 min
AD INFINITUM., Lydie Jean-Dit-Pannel, 2017, 34 min
Cut the parrot, Donigan Cumming, 1996, 40 min
You Must Remember This, marshalore, 1978-1979, 26 min
Manipuler son corps, Laëtitia Bourget, 1998, 4 min 30 s
Self portrait, Eric Owen Wood, 2004, 2 min 45 s
Headstrong, Chantal duPont, 2000, 30 min
Got away in the dying moments, Dennis Day et Ian Middleton, 1992, 5 min
Le récit d’A, Esther Valiquette, 1990, 20 min

 

Biography
Born in Nantes, France in 1987, Lucie Szechter obtained a Master’s Degree in Cinema Studies at the Université de Montréal before enrolling in the research/practice-based doctoral program ‘Art and Sciences’ at the École de Recherche Graphique (Brussels) and the Université de Liège with the national grant FRESH awarded by the FNRS. In 2014, Szechter shot her first short fiction film Plage(s), produced by the Groupe de Recherches et d’Essais Cinématographiques (G.R.E.C). Plage(s) has been selected for numerous festivals, including Côté Court (Pantin) and the Festival International de Films de Femmes (Créteil), and has received the Courts d’ici 2014 prize in Nice from Un festival c’est trop court. The following year, Szechter was invited by LE BAL contemporary art centre in Paris to realise a film project with children as part of their program, La Fabrique du regard. In 2016, she finished her second film, 27 ans, a documentary work combining sound testimonies and found footage. At the end of 2016, she was invited by G.R.E.C., France 2 and the Agence du court métrage to make a one-minute film for a collection paying tribute to Lumière operatives. Szechter is currently shooting her new film, L’Oreille décollée, produced by Aurora films with the support of the Pays de la Loire region and CNC. She also writes about film for Canadian and French magazines. cargocollective.com/lucieszechter

© Charlotte Clermont, Plants Are Like People, 2018

Technical Support Program

Call for submissions

Deadline : March 1st, 2022



CALL FOR SUBMISSIONS

Deadline : March 1st, 2021

* New: 4 calls for submissions per year

Program description

The Technical Support Program is intended to support artists interested in experimentation and in pushing the boundaries of the moving image in all its forms.
This support can be used in the production phase of the project or in the post-production phase.

A total of 4 calls for submissions per year will be made, for which the following are the deadlines;

  • March 1st (for projects that will start between April and June)
  • June 1st (for projects that will start between July and September)
  • September 1st (for projects that will start between October and December)
  • December 1st (for projects that will start between January and March)

Please note that 2 projects per call for submissions will be selected.

Artists selected under this program have free access to:

  • Our editing suites, sound booth and digitizing equipment for a maximum of two weeks. These two weeks can be contiguous or spread over 3 months.
  • Free access to available equipment belonging to Vidéographe.
  • Two meetings with Vidéographe’s team to discuss the project and its circulation potential: one meeting at the start of the project in order to specify the needs and a second meeting at the end of the project.
  • The possibility of organizing a private screening at Vidéographe.

It is not necessary to be a member of Vidéographe to apply; however, should your proposal be accepted, we will ask that you become a member. Once you have signed the agreement, you will have three months to take advantage of the benefits that this program has to offer. Regular membership fees are $50 + tx per year and student membership fees are $25 + tx per year.

We are looking to support independent experimental or documentary works that stand apart for their currency and endeavour to renew the artistic language. We will accept proposals for single-channel video, installation, Web-based work, and all other forms of moving image. We consider all genres—video art, experimental work, fiction, documentary or essay form, animation, dance video, and videoclip. Please note that all works must be independent and non-commercial. Projects of a conventional nature, such as classic short narrative film or television documentary will not be considered.

Once your project is finished, you may submit it for active distribution by Vidéographe. Please note however that acceptance into the Technical Support Program does not guarantee that your work will be distributed.

Required

  • Candidates must possess full editorial and creative control of the project.
  • Projects must be independent and non-commercial.
  • Projects that have received support through this program may not be re-submitted.
  • Student projects are not admissible.
  • We encourage traditionally under-represented artists to submit a project. Vidéographe is driven by the conviction that multiple points of views are necessary to enrich society and the discipline we work in.

Selection process

Works will be chosen by a selection committee made up of Vidéographe staff and members.

Projects that are retained will be subject to a contractual agreement between the artist and Vidéographe. Schedules, revised budgets, and requirements regarding equipment, rooms, and technical support will be planned and clearly laid out, as will the terms and conditions relative to each party.

Application file:

  • Contact information and website if applicable
  • Project description (500 words)
  • Schedule; (Overall project timeline and detailed timeline for support for creation).
  • Technical needs; (Please consult our website for more details on our editing suites and equipment).
  • Resume.
  • Supporting documentation (current or past projects);
  • Maximum 10 minutes of video footage. Please send a link to your video(s). Do not forget to include the password if applicable; and/or maximum 15 images (max: 1024 px wide, 72 dpi); sketches, plans, and mock-ups may also be submitted in PDF format.

Submission of your file

Applications will be accepted by email only. An acknowledgment of receipt will be sent. Please write TECHNICAL SUPPORT PROGRAM in the subject heading of your email and send your file to info@videographe.org. Please send your file as a SINGLE PDF document (including links to videos). Files found in the text section of the email will not be taken into account.

Please allow three weeks for a response. Vidéographe chooses eight projects per year.

© Lynn Hershman-Leeson, Seeing is Believing, 1991

Mentorship Program

CALL FOR SUBMISSIONS

Deadline : May 28th, 2024
Vidéographe



Program Description:

Vidéographe’s mentorship program is intended to encourage the professional and artistic development of Montreal-based artists in the early stages of their career. Selected participants in this program will benefit from 16 hours of consultation time with a professional artist in their field. The mentorship program can help in developing a new project, exploring a new technique, or in completing a work-in-progress.

 

Artists selected under this program have free access to:

16 hours of mentorship from an established artist working in their field. Access to Vidéographe’s editing suites, sound booth, digitizing equipment, and analog and digital video equipment up to a value of 1000$. Should the project require additional support thereafter a preferential rate will be applied. Please note that artists are expected to be self-sufficient as Vidéographe’s team can only offer limited hands-on technical support.

 

See all our mentor profiles HERE

 

Eligibility:

Vidéographe is looking to support independent experimental, or documentary works that stand apart for their currency and endeavour to renew the artistic language. We will accept proposals for single-channel video, installation, Web-based work, and all other forms of moving image. We consider all genres: video art, experimental work, fiction, documentary or essay form, animation, dance video, and videoclip. Please note that all works must be independent and non-commercial. Projects of a conventional nature, such as classic short narrative film or television documentary will not be considered.

 

  • Candidates must possess full editorial and creative control of the project.
  • Candidates must be emerging artists living in Montreal.
  • Projects must be independent and non-commercial.
  • Projects that have received support through this program may not be re-submitted.
  • Student projects are not admissible.

 

We encourage traditionally under-represented artists to submit a project. Vidéographe embraces the notion of an intellectual community enriched by diversity along many axes, including race, indigeneity, ethnicity, trans/nationality, gender identity and expression, sexual orientation, class, age, religion, ability, and neurodiversity.

 

Evaluation criteria:

Proposals are evaluated on the following criteria:

  • Contribution of the Mentorship Program to the project and to the artist’s professional development.
  • Thoroughness and relevance of research.
  • Innovative character of the project.

 

Selection process:

Works will be chosen by a selection committee made up of professional media artists and Vidéographe staff members. Projects that are retained will be subject to a contractual agreement between the artist and Vidéographe. Schedules, revised budgets, and requirements regarding equipment, rooms, and technical support will be planned and clearly laid out, as will the terms and conditions relative to each party.

 

Submissions:

Applications must include the following:

  • The candidate’s contact information and website (if applicable).
  • An artist statement (max 300 words)
  • A project description (max 500 words)
  • A motivational letter stipulating the candidate’s desired mentor mentors and why (see all our mentor profiles HERE), as well as the candidate’s expected benefits from this program (max 500 words)
  • A schedule including the overall project timeline and detailed timeline for the Mentorship Program.
  • Technical requirements (please consult our website for more details on our editing suites and equipment).
  • The candidate’s CV (max 3 pages).
  • Visual support material including current or past projects. Maximum of 10 minutes of video footage. Please send a link to your video(s). Do not forget to include the password if applicable. Up to 15 images, sketches, plans, and mock-ups may also be submitted in PDF format.

 

Applications will be accepted by email only. Please send your file as a SINGLE PDF document including links to videos and other visual support material (max 25MB). Incomplete applications will not be considered nor will files found in the text section of the email.

 

Please write mentorship program in the subject heading of your email and send your application to info@videographe.org. An acknowledgment of receipt will be sent within 1 week of receipt.

 

Note that it is not necessary to be a member of Vidéographe to apply; however, should your proposal be accepted, we will ask that you become a member. Once you have signed the agreement, you will have up to six months to take advantage of the benefits that this program has to offer. Regular membership fees are $50 + taxes per year and student membership fees are $25 + taxes per year.

 

Once your project is finished, you may submit it for active distribution by Vidéographe. Please note however that acceptance into the Mentorship Program does not guarantee that your work will be distributed.

 

For equity reasons, should you require any accommodations or need to submit your application in an alternative format, please contact the program coordinator at info@videographe.org or at (514) 521-2116 ext: 221.

 

Applicants will be notified by the end of June 2024. Please note that Vidéographe can only support 4 projects per year.

 

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