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© Donigan Cumming, Exit Interview, 2014

dv_vd: Donigan Cumming

DISCUSSION AND LAUNCH

Thursday, May 7, 2020
YouTube

Free



The discussion will happen in English, and will be accessible in ASL for our Deaf audience.

 

As part of the dv_vd screening series, Vidéographe and Dazibao are pleased to present a discussion between Donigan Cumming and Mike Hoolboom regarding Cumming’s video work from 1995 to the present.

Following this conversation, The Unrelenting Eye, a program of works by Cumming will be available to view online through Vithèque. This program highlights some of the ways in which Donigan Cumming undermines the documentary as a form within the form itself: the radicality of the situations he films, his blatant use of staging, on-screen direction given to the actors, self-filming, and explicit references to filmmaking processes.

 

Link to the discussion [+]

Link to the program The Unrelenting Eye on Vithèque [+]

PROGRAM
My Dinner with Weegee, 2001, 36 min 26 s
Wrap, 2000, 3 min 30 s
Shelter, 1999, 3 min 22 s
The Seven Wonders of the World, 2018, 18 min 59 s

Download the pamphlet dv_vd: Donigan Cumming

 

Excerpt from My Dinner with Weegee :

 

The event accompanies the launching of Body-to-Body: The Works of Donigan Cumming, the first in a series of new publications and digital box sets produced by Vidéographe. Comprising all 26 videos made by Donigan Cumming to date, as well as images of his installations, photographs, drawings and collages, this publication takes an interdisciplinary approach in order to highlight the common threads that unite the artist’s different bodies of work. It also features essays by Zoë Tousignant and Fabrice Montal, which examine Cumming’s work in the context of art and film history, an audio interview with the artist by Jean Perret, and a number of sound works.

The selected texts and documents testify to Cumming’s creative fervour, his desire to constantly destabilize and to relentlessly draw from the margins of society, from the watchable, as well as on his own works.

 

Link to the publication [+]

This publication was made possible thanks to the support of the Conseil des arts et des lettres du Québec.

 

BIOGRAPHIES
Donigan Cumming is a Montréal-based artist whose multimedia practice includes photography, sound, video, drawing, text and collage, among other mediums. His work addresses themes such as the body, the boundaries between truth and fiction, taboos of representation, and social engagement. Cumming began his career making sound installations and photographs in the 1980s. Early solo exhibitions included Reality and Motive in Documentary Photography (1986) and Moving Still (1999). In 1995, he began to work with video and in 1996 he was awarded the Telefilm Canada Award for Best Canadian Discovery (Festival du nouveau Cinéma, Montréal, 1996). His work has been shown in Canada and abroad, including at the New York Video Festival, the Whitney Museum of American Art, and the Museum of Modern Art. His work has been the subject if numerous monographic exhibitions and retrospectives and has been referred to in numerous theoretical works and reference books. His photographs and videos have been acquired by the permanent collections of museums and institutions in Quebec, Canada, and around the world. donigancumming.com

Mike Hoolboom began making movies in 1980. Making as practice, a daily application. Ongoing remixology. 100+ movies, many redacted. Since 2000 a steady drip of bio docs. The animating question of community: how can I help you? Interviews with media artists for 3 decades. 30 books, written, edited, co-edited. Local ecologies. Volunteerism. Opening the door. mikehoolboom.com

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© Charlotte Clermont, Plants Are Like People, 2018

Technical Support Program

Call for submissions

Deadline : March 1st, 2022



CALL FOR SUBMISSIONS

Deadline : March 1st, 2021

* New: 4 calls for submissions per year

Program description

The Technical Support Program is intended to support artists interested in experimentation and in pushing the boundaries of the moving image in all its forms.
This support can be used in the production phase of the project or in the post-production phase.

A total of 4 calls for submissions per year will be made, for which the following are the deadlines;

  • March 1st (for projects that will start between April and June)
  • June 1st (for projects that will start between July and September)
  • September 1st (for projects that will start between October and December)
  • December 1st (for projects that will start between January and March)

Please note that 2 projects per call for submissions will be selected.

Artists selected under this program have free access to:

  • Our editing suites, sound booth and digitizing equipment for a maximum of two weeks. These two weeks can be contiguous or spread over 3 months.
  • Free access to available equipment belonging to Vidéographe.
  • Two meetings with Vidéographe’s team to discuss the project and its circulation potential: one meeting at the start of the project in order to specify the needs and a second meeting at the end of the project.
  • The possibility of organizing a private screening at Vidéographe.

It is not necessary to be a member of Vidéographe to apply; however, should your proposal be accepted, we will ask that you become a member. Once you have signed the agreement, you will have three months to take advantage of the benefits that this program has to offer. Regular membership fees are $50 + tx per year and student membership fees are $25 + tx per year.

We are looking to support independent experimental or documentary works that stand apart for their currency and endeavour to renew the artistic language. We will accept proposals for single-channel video, installation, Web-based work, and all other forms of moving image. We consider all genres—video art, experimental work, fiction, documentary or essay form, animation, dance video, and videoclip. Please note that all works must be independent and non-commercial. Projects of a conventional nature, such as classic short narrative film or television documentary will not be considered.

Once your project is finished, you may submit it for active distribution by Vidéographe. Please note however that acceptance into the Technical Support Program does not guarantee that your work will be distributed.

Required

  • Candidates must possess full editorial and creative control of the project.
  • Projects must be independent and non-commercial.
  • Projects that have received support through this program may not be re-submitted.
  • Student projects are not admissible.
  • We encourage traditionally under-represented artists to submit a project. Vidéographe is driven by the conviction that multiple points of views are necessary to enrich society and the discipline we work in.

Selection process

Works will be chosen by a selection committee made up of Vidéographe staff and members.

Projects that are retained will be subject to a contractual agreement between the artist and Vidéographe. Schedules, revised budgets, and requirements regarding equipment, rooms, and technical support will be planned and clearly laid out, as will the terms and conditions relative to each party.

Application file:

  • Contact information and website if applicable
  • Project description (500 words)
  • Schedule; (Overall project timeline and detailed timeline for support for creation).
  • Technical needs; (Please consult our website for more details on our editing suites and equipment).
  • Resume.
  • Supporting documentation (current or past projects);
  • Maximum 10 minutes of video footage. Please send a link to your video(s). Do not forget to include the password if applicable; and/or maximum 15 images (max: 1024 px wide, 72 dpi); sketches, plans, and mock-ups may also be submitted in PDF format.

Submission of your file

Applications will be accepted by email only. An acknowledgment of receipt will be sent. Please write TECHNICAL SUPPORT PROGRAM in the subject heading of your email and send your file to info@videographe.org. Please send your file as a SINGLE PDF document (including links to videos). Files found in the text section of the email will not be taken into account.

Please allow three weeks for a response. Vidéographe chooses eight projects per year.