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Chantal duPont, Du front tout le tour de la tête, 2000

© Chantal duPont, Du front tout le tour de la tête, 2000

Les Vidéographes
The Theatre of My Image and Performance for the Screen

Programming

Festival International du Film sur l'Art
March 16 - 28, 2021

Online broadcast

FIFA's price scale



The year 2021 marks the 50th anniversary of Vidéographe, a Montreal artist-run centre dedicated to research and presentation of moving image practices. The Festival International du Film sur l’Art (FIFA) is partnering with us to present in its FIFA Experimenal section, two programs curated by Montreal-based videomaker and filmmaker Luc Bourdon and Vidéographe’s team.

 

Les Vidéographes – The Theatre of My Image

The selfie, the self-portrait, self-filming, the representation of the self on screen – all of this is a part of the history and evolution of the videographic language. The stage transforms and becomes the frame of the camera that watches the evolving subject. Between performances and confessions, we soon become well acquainted with the videomakers who share their presence as well as their imaginations on screen.

This intimate theatre takes the form here of five unique works in the collection made by five remarkable videomakers.  

PROGRAM ( 64 min)
Lydie Jean-Dit-Pannel, Cela avait commencé par un accident, 2014
Manon Labrecque, La petite vision, 1994, 5 min
Chantal duPont, Headstrong, 2000, 30 min
Monique Moumblow, Joan and Stephen, 1996, 12 min
Kim Kielhofner, The Coldest Day of the Year, 2020, 9 min

 

Les Vidéographes – Performance for the Screen

Since the beginning of the Vidéographe experience in 1970, the worlds of dance, theatre performance and the visual arts have been a part of the adventure, with works that allow artists to play with their own images, record their performances, or experiment with an audiovisual support.    

A selection of seven short videos that illustrate the art of performance video and feature the pioneer of the genre, none other than marshalore.

PROGRAM (57 min)
Monty Cantsin, Infraduction1982, 7 min
Sylvie Laliberté, Oh la la du narratif1997, 14 min
Yudi Sewraj, Rut, 1998, 3 min
Nathalie Bujold, Emproium, 1999, 11 min
Rachel Echenberg, 12 Hours, 2001, 8 min
marshalore, Street Actions, 1997, 6 min
Sylvanie Tendron, Vampire domestique, 2016, 8 min

 

BIOGRAPHY
The former Executive Director of the Festival international du nouveau cinéma et des nouveaux Médias de Montréal (FCMM), Luc Bourdon has made over fifty works which have been shown at festivals and on television both within Canada and abroad. In 1998, the Canada Council for the Arts awarded Bourdon the Bell Canada Prize in recognition of excellence in video art. Working in many areas, he juggles fiction and documentary, essay and experimentation, installation and reporting, as well as film production and broadcasting.

 

 

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© Charlotte Clermont, Plants Are Like People, 2018

Technical Support Program

Call for submissions

Deadline : March 1st, 2022



CALL FOR SUBMISSIONS

Deadline : March 1st, 2021

* New: 4 calls for submissions per year

Program description

The Technical Support Program is intended to support artists interested in experimentation and in pushing the boundaries of the moving image in all its forms.
This support can be used in the production phase of the project or in the post-production phase.

A total of 4 calls for submissions per year will be made, for which the following are the deadlines;

  • March 1st (for projects that will start between April and June)
  • June 1st (for projects that will start between July and September)
  • September 1st (for projects that will start between October and December)
  • December 1st (for projects that will start between January and March)

Please note that 2 projects per call for submissions will be selected.

Artists selected under this program have free access to:

  • Our editing suites, sound booth and digitizing equipment for a maximum of two weeks. These two weeks can be contiguous or spread over 3 months.
  • Free access to available equipment belonging to Vidéographe.
  • Two meetings with Vidéographe’s team to discuss the project and its circulation potential: one meeting at the start of the project in order to specify the needs and a second meeting at the end of the project.
  • The possibility of organizing a private screening at Vidéographe.

It is not necessary to be a member of Vidéographe to apply; however, should your proposal be accepted, we will ask that you become a member. Once you have signed the agreement, you will have three months to take advantage of the benefits that this program has to offer. Regular membership fees are $50 + tx per year and student membership fees are $25 + tx per year.

We are looking to support independent experimental or documentary works that stand apart for their currency and endeavour to renew the artistic language. We will accept proposals for single-channel video, installation, Web-based work, and all other forms of moving image. We consider all genres—video art, experimental work, fiction, documentary or essay form, animation, dance video, and videoclip. Please note that all works must be independent and non-commercial. Projects of a conventional nature, such as classic short narrative film or television documentary will not be considered.

Once your project is finished, you may submit it for active distribution by Vidéographe. Please note however that acceptance into the Technical Support Program does not guarantee that your work will be distributed.

Required

  • Candidates must possess full editorial and creative control of the project.
  • Projects must be independent and non-commercial.
  • Projects that have received support through this program may not be re-submitted.
  • Student projects are not admissible.
  • We encourage traditionally under-represented artists to submit a project. Vidéographe is driven by the conviction that multiple points of views are necessary to enrich society and the discipline we work in.

Selection process

Works will be chosen by a selection committee made up of Vidéographe staff and members.

Projects that are retained will be subject to a contractual agreement between the artist and Vidéographe. Schedules, revised budgets, and requirements regarding equipment, rooms, and technical support will be planned and clearly laid out, as will the terms and conditions relative to each party.

Application file:

  • Contact information and website if applicable
  • Project description (500 words)
  • Schedule; (Overall project timeline and detailed timeline for support for creation).
  • Technical needs; (Please consult our website for more details on our editing suites and equipment).
  • Resume.
  • Supporting documentation (current or past projects);
  • Maximum 10 minutes of video footage. Please send a link to your video(s). Do not forget to include the password if applicable; and/or maximum 15 images (max: 1024 px wide, 72 dpi); sketches, plans, and mock-ups may also be submitted in PDF format.

Submission of your file

Applications will be accepted by email only. An acknowledgment of receipt will be sent. Please write TECHNICAL SUPPORT PROGRAM in the subject heading of your email and send your file to info@videographe.org. Please send your file as a SINGLE PDF document (including links to videos). Files found in the text section of the email will not be taken into account.

Please allow three weeks for a response. Vidéographe chooses eight projects per year.