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© Samuel Boucher et Zoé Rondeau, La Revolution, 2021

RVVP at night

PROGRAMMING

June 3, 2022
Park Badlwin

Free



Experience a unique poetry experience on the big screen featuring screenings of the 2020, 2021, and 2022 winners followed by this year’s nine finalist video poems by starlight!

In partnership with Le Festival de la poésie de Montréal (FPM) et Le Sémaphore. This project is supported by the Arrondissement du Plateau-Mont-Royal.

*Please note that there will be postponed to Saturday, June 4th in case of rain.

 

PROGRAMME

Binding Chests, Mending Hearts
Direction and text: Raphaëlle Bessette-Viens

Feu
Directed by: Rosalie Bordeleau
Text by: Valérie Forgues

Fragments
Directed by: Anick Beaulieu et Gigi Perron
Texte: Patrice Desbiens

Je suis ce fameux corps
Directed by: Maude Archambault-Wakil
Text by: Jean-Christophe Leblanc

Ko Phyare, para siempre
Directed by: Fiorella Boucher et Laura Criollo-Carrillo
Text by: Fiorella Boucher

La révolution
Directed by: Samuel Boucher et Zoé Rondeau
Text by: Alicia Guillotte

Le cratère
Direction and text: Justine Falardeau et Florence Falgueyret

Lullaby
Direction and text: Irene-Kimberly Valin-Awashish

Sans échappe
Direction and text: Helia Hagh-Doust

Walking with o me! O life!
Directed by: Paula Dykstra et Patrick Gauvin
Text by: Paula Dykstra

 

Winners 2021
Corps Minéral de Gabrielle Harnois-Blouin et Charline Dally

Winner 2020
Y’a du noir dans tes ailes de Linda Vachon

 

 

       

© Charlotte Clermont, Plants Are Like People, 2018

Technical Support Program

Call for submissions

Deadline : March 1st, 2022



CALL FOR SUBMISSIONS

Deadline : March 1st, 2021

* New: 4 calls for submissions per year

Program description

The Technical Support Program is intended to support artists interested in experimentation and in pushing the boundaries of the moving image in all its forms.
This support can be used in the production phase of the project or in the post-production phase.

A total of 4 calls for submissions per year will be made, for which the following are the deadlines;

  • March 1st (for projects that will start between April and June)
  • June 1st (for projects that will start between July and September)
  • September 1st (for projects that will start between October and December)
  • December 1st (for projects that will start between January and March)

Please note that 2 projects per call for submissions will be selected.

Artists selected under this program have free access to:

  • Our editing suites, sound booth and digitizing equipment for a maximum of two weeks. These two weeks can be contiguous or spread over 3 months.
  • Free access to available equipment belonging to Vidéographe.
  • Two meetings with Vidéographe’s team to discuss the project and its circulation potential: one meeting at the start of the project in order to specify the needs and a second meeting at the end of the project.
  • The possibility of organizing a private screening at Vidéographe.

It is not necessary to be a member of Vidéographe to apply; however, should your proposal be accepted, we will ask that you become a member. Once you have signed the agreement, you will have three months to take advantage of the benefits that this program has to offer. Regular membership fees are $50 + tx per year and student membership fees are $25 + tx per year.

We are looking to support independent experimental or documentary works that stand apart for their currency and endeavour to renew the artistic language. We will accept proposals for single-channel video, installation, Web-based work, and all other forms of moving image. We consider all genres—video art, experimental work, fiction, documentary or essay form, animation, dance video, and videoclip. Please note that all works must be independent and non-commercial. Projects of a conventional nature, such as classic short narrative film or television documentary will not be considered.

Once your project is finished, you may submit it for active distribution by Vidéographe. Please note however that acceptance into the Technical Support Program does not guarantee that your work will be distributed.

Required

  • Candidates must possess full editorial and creative control of the project.
  • Projects must be independent and non-commercial.
  • Projects that have received support through this program may not be re-submitted.
  • Student projects are not admissible.
  • We encourage traditionally under-represented artists to submit a project. Vidéographe is driven by the conviction that multiple points of views are necessary to enrich society and the discipline we work in.

Selection process

Works will be chosen by a selection committee made up of Vidéographe staff and members.

Projects that are retained will be subject to a contractual agreement between the artist and Vidéographe. Schedules, revised budgets, and requirements regarding equipment, rooms, and technical support will be planned and clearly laid out, as will the terms and conditions relative to each party.

Application file:

  • Contact information and website if applicable
  • Project description (500 words)
  • Schedule; (Overall project timeline and detailed timeline for support for creation).
  • Technical needs; (Please consult our website for more details on our editing suites and equipment).
  • Resume.
  • Supporting documentation (current or past projects);
  • Maximum 10 minutes of video footage. Please send a link to your video(s). Do not forget to include the password if applicable; and/or maximum 15 images (max: 1024 px wide, 72 dpi); sketches, plans, and mock-ups may also be submitted in PDF format.

Submission of your file

Applications will be accepted by email only. An acknowledgment of receipt will be sent. Please write TECHNICAL SUPPORT PROGRAM in the subject heading of your email and send your file to info@videographe.org. Please send your file as a SINGLE PDF document (including links to videos). Files found in the text section of the email will not be taken into account.

Please allow three weeks for a response. Vidéographe chooses eight projects per year.