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© Jenny Cartwrighte, I Remember a Time When No One Jogged in This Neighbourhood, 2021

I Remember a Time When No One Jogged in This Neighbourhood
a film by Jenny Cartwright
at the Cinémathèque québécoise

PROGRAMMING

From June 16
Cinémathèque Québécoise



Vidéographeis pleased to announce the release of I Remember a Time When No One Jogged in This Neighbourhood by Jenny Cartwright. Presented at the Cinémathèque Québécoise, Cartwright’s latest work celebrates the diversity, richness and unique quality of the Parc Extension neighbourhood, in Montréal.

This debut feature by Cartwright takes a close look at Parc Extension, Montréal’s most densely populated neighbourhood. Je me souviens d’un temps où personne ne joggait dans ce quartier offers a series of intimate and contemplative tableaux of the residents of this evolving area. The artist observes the unique social fabric of a neighbourhood that is under threat of ruthless gentrification. Cartwright’s deliberate omission of subtitles reflects her subjective experience of Parc Extension, where language barriers are an everyday reality. Je me souviens d’un temps où personne ne joggait dans ce quartier stands out as much for its currency and relevance as for its strong aesthetic choices, so that the work will undoubtably become an important testament to this significant period in the history of Parc Extension and of Montréal.

Presented at a world premiere at RIDM 2021, this must-see work by Jenny Cartwright has been hailed as a true discovery.

 

Screenings and discussions about the work of Jenny Cartwright

► 16 June: A discussion between Jenny Cartwright and a member of the Parc-Extension Action Committee, as well as a cocktail reception will follow the screening.

► 18 June: a double screening with a short film by Eli Jean Tahchi, Des voisins dans ma cour. A discussion between Tahchi and the Director of Photography of I Remember a Time When No One Jogged in This Neighbourhood, David Cherniak, will follow.

► 20 June: screening followed by a conversation with Jenny Cartwright.

Get your tickets online [+]

 

 

About Jenny Cartwright

Jenny Cartwright explores themes of self-determination and inequality through subjects such as gentrification, activism, work and poverty. In her practice, her commitment to people on the fringes of society is demonstrated through her poetry and manifestos. While she constantly explores different ways of storytelling, passing from traditional to experimental filmmaking and from installation to sound works, her practice remains resolutely documentary in nature.

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© Charlotte Clermont, Plants Are Like People, 2018

Technical Support Program

Call for submissions

Deadline : March 1st, 2022



CALL FOR SUBMISSIONS

Deadline : March 1st, 2021

* New: 4 calls for submissions per year

Program description

The Technical Support Program is intended to support artists interested in experimentation and in pushing the boundaries of the moving image in all its forms.
This support can be used in the production phase of the project or in the post-production phase.

A total of 4 calls for submissions per year will be made, for which the following are the deadlines;

  • March 1st (for projects that will start between April and June)
  • June 1st (for projects that will start between July and September)
  • September 1st (for projects that will start between October and December)
  • December 1st (for projects that will start between January and March)

Please note that 2 projects per call for submissions will be selected.

Artists selected under this program have free access to:

  • Our editing suites, sound booth and digitizing equipment for a maximum of two weeks. These two weeks can be contiguous or spread over 3 months.
  • Free access to available equipment belonging to Vidéographe.
  • Two meetings with Vidéographe’s team to discuss the project and its circulation potential: one meeting at the start of the project in order to specify the needs and a second meeting at the end of the project.
  • The possibility of organizing a private screening at Vidéographe.

It is not necessary to be a member of Vidéographe to apply; however, should your proposal be accepted, we will ask that you become a member. Once you have signed the agreement, you will have three months to take advantage of the benefits that this program has to offer. Regular membership fees are $50 + tx per year and student membership fees are $25 + tx per year.

We are looking to support independent experimental or documentary works that stand apart for their currency and endeavour to renew the artistic language. We will accept proposals for single-channel video, installation, Web-based work, and all other forms of moving image. We consider all genres—video art, experimental work, fiction, documentary or essay form, animation, dance video, and videoclip. Please note that all works must be independent and non-commercial. Projects of a conventional nature, such as classic short narrative film or television documentary will not be considered.

Once your project is finished, you may submit it for active distribution by Vidéographe. Please note however that acceptance into the Technical Support Program does not guarantee that your work will be distributed.

Required

  • Candidates must possess full editorial and creative control of the project.
  • Projects must be independent and non-commercial.
  • Projects that have received support through this program may not be re-submitted.
  • Student projects are not admissible.
  • We encourage traditionally under-represented artists to submit a project. Vidéographe is driven by the conviction that multiple points of views are necessary to enrich society and the discipline we work in.

Selection process

Works will be chosen by a selection committee made up of Vidéographe staff and members.

Projects that are retained will be subject to a contractual agreement between the artist and Vidéographe. Schedules, revised budgets, and requirements regarding equipment, rooms, and technical support will be planned and clearly laid out, as will the terms and conditions relative to each party.

Application file:

  • Contact information and website if applicable
  • Project description (500 words)
  • Schedule; (Overall project timeline and detailed timeline for support for creation).
  • Technical needs; (Please consult our website for more details on our editing suites and equipment).
  • Resume.
  • Supporting documentation (current or past projects);
  • Maximum 10 minutes of video footage. Please send a link to your video(s). Do not forget to include the password if applicable; and/or maximum 15 images (max: 1024 px wide, 72 dpi); sketches, plans, and mock-ups may also be submitted in PDF format.

Submission of your file

Applications will be accepted by email only. An acknowledgment of receipt will be sent. Please write TECHNICAL SUPPORT PROGRAM in the subject heading of your email and send your file to info@videographe.org. Please send your file as a SINGLE PDF document (including links to videos). Files found in the text section of the email will not be taken into account.

Please allow three weeks for a response. Vidéographe chooses eight projects per year.