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© Bryony Dunne, Surrender Your Horns, 2022

Vidéographe x VOX
Expo : Bryony Dunne and Anna Grigorian

PROGRAMMING

From October 24 to 28, 2023 - Vernissage : October 25 at 5pm



Vidéographe and VOX are proud to be copresenting video installations by Bryony Dunne and Anna Grigorian at VOX from October 24 to 28, 2023.

This exhibition seeks to shed light on the colonial and patriarchal structures of oppression that govern our relationships with one another. By combining documentary content with more theatrical approaches to video, the artists propose a surprisingly sensitive and political reflection on violence. Whether aimed at endangered species, as in Dunne’s Surrender Your Horns (2021), or manifesting the persistent and widespread sexism of Armenian culture, as revealed in Grigorian’s Room (Սենյակ) (2021), violence is observed from an empathetic approach as a means of resolving its consequences.

Under the guise of surrealism or a whimsical transcription of the world, these works challenge our perceptions and thus depict the profound challenges marginalized groups and endangered species face.

Join us at VOX on October 25 at 5pm to discover with Anna Grigorian these aesthetically rich video installations that delve deeper into complex narratives and ultimately incite reflection and conversation.

 

► Room (Սենյակ), Anna Grigorian, 2021, 15 min 22 s

SYNOPSIS

Anna Grigorian’s experimental project Room (Սենյակ [sɛnˈjɑk] ) reflects on the issues of oppression, violence, and murder cases of women. While the factual data used in the video is directly taken from the realities of Armenia, gender-based oppression and violence reaching physical retaliation and murder are ongoing and widespread, making the work relevant across countries.

 

BIOGRAPHY

Anna Grigorian is an emerging experimental artist from Armenia, whose art practice is currently based between Canada and Armenia. With a background in sculpture, literature, and photography, her current chosen medium is moving image. Her video work revolves around socio political and economic problems, and examination of power relations, through mixing elements of theater, early cinema, and constructed surreal studio environments.

 

 

► Surrender Your Horns, Bryony Dunne, 2022, 1 hr

SYNOPSIS

Après avoir inhalé de la poudre de corne, un Irlandais solitaire se métamorphose de façon kafkaïenne en un homme à tête de rhinocéros. Incarnant à la fois le chasseur et la proie, il nous guide à travers une série de mondes réels et fantastiques. Le contenu documentaire du film se mélange à des séquences évoquant le théâtre de l’absurde, révélant ainsi le sens existentiel de cette tragédie : on pourchasse les rhinocéros dans la vie comme dans la mort.

 

BIOGRAPHY

Bryony Dunne est une artiste visuelle et une cinéaste irlandaise dont la pratique s’intéresse aux entrecroisements qui unissent documentaire, cinéma, photographie et monde naturel. Les projets qu’elle développe sont fortement orientés vers la recherche et explorent les rapports de force qui existent entre la nature et l’humain, de même que les fantasmes de contrôle qu’entretient ce dernier. Pour entretisser tous ces récits, elle recourt fréquemment à des procédés qui fictionnalisent les faits et qui mettent en scène des futurs imaginaires. Ses œuvres ont été présentées à la galerie Mosaic Rooms (Londres), aux galeries Gypsum et Townhouse (Le Caire), au Irish Film Institute (Dublin) ainsi qu’à DEPO (Istanbul), entre autres lieux. Elle a participé à de nombreux festivals internationaux de films et d’art vidéo tels que le Thessaloniki Documentary Film Festival (Grèce), le Cork International Film Festival (Irlande) et les Rencontres internationales Paris/Berlin. Elle est actuellement artiste en résidence à la Jan van Eyck Academie de Maastricht.

 

© Vidéographe

Free on Vithèque: 50 Years of the Moving Image

DIGITAL PUBLICATION

Vithèque



Over the decades, Vidéographe has not only evolved alongside technological advancements but has also served as a catalyst for experimentation, innovation, and artistic exploration. In this spirit, 50 Years of Moving Images pays tribute to this rich heritage, bringing together texts and perspectives from esteemed authors such as France Choinière, Julie Ravary-Pilon, Luc Bourdon, M Mensah and Sam Meech.

► Dive into the history and rich heritage of Vidéographe, now available for free on Vithèque. Click here to access the publication [+]

Technical Support Program

Call for submissions

Open at all times



Application Deadline:

Open at all times.

 

Program Description:

The Technical Support Program is intended to support artists interested in experimentation and in pushing the boundaries of the moving image in all its forms. The kind of support offered is tailored to each project depending on the project’s specific pre-defined needs. This support can be used in the research phase, the production phase or in the post-production phase of a project.

 

Artists selected under this program have free access to:

Vidéographe’s editing suites, sound booth, digitizing equipment, and analog and digital video equipment up to a value of 500$. Should the project require additional support thereafter a preferential rate will be applied. Please note that artists are expected to be self-sufficient as Vidéographe’s team can only offer limited hands-on technical support.

 

Artists can also benefit from up to two meetings with Vidéographe’s team to discuss the project and to receive feedback. These meetings could be with different members of the team depending on how far along the project is and on the specific needs of the project and the artist.

 

Eligibility:

Vidéographe is looking to support independent experimental, or documentary works that stand apart for their currency and endeavour to renew the artistic language. We will accept proposals for single-channel video, installation, Web-based work, and all other forms of moving image. We consider all genres: video art, experimental work, fiction, documentary or essay form, animation, dance video, and videoclip. Please note that all works must be independent and non-commercial. Projects of a conventional nature, such as classic short narrative film or television documentary will not be considered.

 

  • Candidates must possess full editorial and creative control of the project.
  • Projects must be independent and non-commercial.
  • Projects that have received support through this program may not be re-submitted.
  • Student projects are not admissible.

 

We encourage traditionally under-represented artists to submit a project. Vidéographe embraces the notion of an intellectual community enriched by diversity along many axes, including race, indigeneity, ethnicity, trans/nationality, gender identity and expression, sexual orientation, class, age, religion, ability, and neurodiversity.

 

Evaluation criteria:

Proposals are evaluated on the following criteria:

  • Contribution of the Technical Support Program to project’s development.
  • Thoroughness and relevance of research.
  • Innovative character of the project.

 

Selection process:

Works will be chosen by a selection committee made up of Vidéographe staff members. Projects that are retained will be subject to a contractual agreement between the artist and Vidéographe. Schedules, revised budgets, and requirements regarding equipment, rooms, and technical support will be planned and clearly laid out, as will the terms and conditions relative to each party.

 

Submissions:

Applications must include the following:

  • The candidate’s contact information and website (if applicable).
  • An artist statement (max 300 words)
  • A project description (max 500 words)
  • A schedule including the overall project timeline and detailed timeline for the Technical Support Program.
  • Technical requirements (please consult our website for more details on our editing suites and equipment).
  • The candidate’s CV (max 3 pages).
  • Visual support material including current or past projects. Maximum of 10 minutes of video footage. Please send a link to your video(s). Do not forget to include the password if applicable. Up to 15 images, sketches, plans, and mock-ups may also be submitted in PDF format.

 

Applications will be accepted by email only. Please send your file as a SINGLE PDF document including links to videos and other visual support material (max 25MB). Incomplete applications will not be considered nor will files found in the text section of the email.

 

Please write technical support program in the subject heading of your email and send your application to info@videographe.org. An acknowledgment of receipt will be sent within 1 week of receipt.

 

Note that it is not necessary to be a member of Vidéographe to apply; however, should your proposal be accepted, we will ask that you become a member. Once you have signed the agreement, you will have up to six months to take advantage of the benefits that this program has to offer. Regular membership fees are $50 + taxes per year and student membership fees are $25 + taxes per year.

 

Once your project is finished, you may submit it for active distribution by Vidéographe. Please note however that acceptance into the Technical Support Program does not guarantee that your work will be distributed.

 

For equity reasons, should you require any accommodations or need to submit your application in an alternative format, please contact the program coordinator at info@videographe.org or at (514) 521-2116 ext: 221.

 

Please allow six weeks for a response. Please note that Vidéographe can only support a limited number of projects per year.