X letter representing a close icon

Introduction to making a web TV channel and a documentary web series

Workshop

Saturdays 6, 13, 20 february, 5,12 and march
Vidéographe

200 $



This course will introduce participants to the world of quality and original documentary web TV. Participants will learn about different funding streams and distributors of French audio-visual material in Quebec and will gain the knowledge needed to tackle the challenges that weekly web production may present. They will also learn how to disseminate and promote audio-visual web content.

The course will alternate between theory- and practice-based components, so that participants can put what they’ve learned into practice. They will have the opportunity to create a basic functioning and independent web TV channel over four sessions.

THE COURSE

Theory-based component (24 hours)

This course will provide all technical information relevant to making a documentary web TV channel and web series. The philosophy of information technology and of the Web will be discussed, and matters for consideration such as the quality of the streaming platform, and the choosing of a subject of interest, a web host, a website design, and its ‘look and feel’ will be addressed. Examples of strategies employed by different web TV platforms from Quebec (Tou.tv, Fabriqueculturelle, UNIS) and elsewhere (TED.COM, Medicit.tv) will be studied. Next, financing strategies and the pre-production of a web series will be covered, followed by production and the art of ‘doing a lot with a little’. There will also be a component on dissemination and promotion and the difficulties associated with breaking through the ambient noise of the Web.

Participants will create a development plan for a web TV channel, a budget for a three-part web series, and a promotion plan for the latter. The instructor will offer comments and advice about the material produced.

Practice-based component (18 hours)

Working in teams of two, participants will produce a web series made up of three two-minute episodes on an arts-related subject, which will take either documentary, magazine, or essay form. Teams will have 20 hours to cover all stages of production: choice of subject, coordination, visuals and graphics, choice of equipment, location scouting, filming and editing, and marketing.

Example of a web series: On the second day of the course, two participants go to the Théâtre La Licorne where they shoot a magazine-style video about the theatre’s current production. For part two, they produce a short documentary about the theatre itself, comprising an interview with the artistic director (if possible). For part three, the team produces a video essay, in the style of their choice, relating to the theatre. All three features should be realized in the same day. (This subject is just an example.)

Prerequisite
Participants must be able to use a camera, sound recording equipment, and editing software independently (Adobe Premiere Pro, FCP7, FCPX). They must be well acquainted with social media.

About the instructor
Simon Paradis has been producer and director of airelibre.tv, a web TV channel dedicated to literature and the arts, since 2011. He produces literary shows Rature et lit (airelibre.tv, Bell Fibe TV1 and Canal Savoir) and ‘Between the Pages’(airelibre.tv and Bell Fibe TV1). He manages the non-profit organization Diffusion aire libre and is an active member of Vidéographe.

Conditions of admission
This course is intended for artists or those working or seeking employment in the field of media arts. Applicants should reside on the island of Montréal and be available throughout the duration of the course.

Enrolment
Please write to info@videographe.qc.ca, to verify your eligibility and reserve your place.

Simon Paradis

© Charlotte Clermont, Plants Are Like People, 2018

Technical Support Program

Call for submissions

Deadline : March 1st, 2022



CALL FOR SUBMISSIONS

Deadline : March 1st, 2021

* New: 4 calls for submissions per year

Program description

The Technical Support Program is intended to support artists interested in experimentation and in pushing the boundaries of the moving image in all its forms.
This support can be used in the production phase of the project or in the post-production phase.

A total of 4 calls for submissions per year will be made, for which the following are the deadlines;

  • March 1st (for projects that will start between April and June)
  • June 1st (for projects that will start between July and September)
  • September 1st (for projects that will start between October and December)
  • December 1st (for projects that will start between January and March)

Please note that 2 projects per call for submissions will be selected.

Artists selected under this program have free access to:

  • Our editing suites, sound booth and digitizing equipment for a maximum of two weeks. These two weeks can be contiguous or spread over 3 months.
  • Free access to available equipment belonging to Vidéographe.
  • Two meetings with Vidéographe’s team to discuss the project and its circulation potential: one meeting at the start of the project in order to specify the needs and a second meeting at the end of the project.
  • The possibility of organizing a private screening at Vidéographe.

It is not necessary to be a member of Vidéographe to apply; however, should your proposal be accepted, we will ask that you become a member. Once you have signed the agreement, you will have three months to take advantage of the benefits that this program has to offer. Regular membership fees are $50 + tx per year and student membership fees are $25 + tx per year.

We are looking to support independent experimental or documentary works that stand apart for their currency and endeavour to renew the artistic language. We will accept proposals for single-channel video, installation, Web-based work, and all other forms of moving image. We consider all genres—video art, experimental work, fiction, documentary or essay form, animation, dance video, and videoclip. Please note that all works must be independent and non-commercial. Projects of a conventional nature, such as classic short narrative film or television documentary will not be considered.

Once your project is finished, you may submit it for active distribution by Vidéographe. Please note however that acceptance into the Technical Support Program does not guarantee that your work will be distributed.

Required

  • Candidates must possess full editorial and creative control of the project.
  • Projects must be independent and non-commercial.
  • Projects that have received support through this program may not be re-submitted.
  • Student projects are not admissible.
  • We encourage traditionally under-represented artists to submit a project. Vidéographe is driven by the conviction that multiple points of views are necessary to enrich society and the discipline we work in.

Selection process

Works will be chosen by a selection committee made up of Vidéographe staff and members.

Projects that are retained will be subject to a contractual agreement between the artist and Vidéographe. Schedules, revised budgets, and requirements regarding equipment, rooms, and technical support will be planned and clearly laid out, as will the terms and conditions relative to each party.

Application file:

  • Contact information and website if applicable
  • Project description (500 words)
  • Schedule; (Overall project timeline and detailed timeline for support for creation).
  • Technical needs; (Please consult our website for more details on our editing suites and equipment).
  • Resume.
  • Supporting documentation (current or past projects);
  • Maximum 10 minutes of video footage. Please send a link to your video(s). Do not forget to include the password if applicable; and/or maximum 15 images (max: 1024 px wide, 72 dpi); sketches, plans, and mock-ups may also be submitted in PDF format.

Submission of your file

Applications will be accepted by email only. An acknowledgment of receipt will be sent. Please write TECHNICAL SUPPORT PROGRAM in the subject heading of your email and send your file to info@videographe.org. Please send your file as a SINGLE PDF document (including links to videos). Files found in the text section of the email will not be taken into account.

Please allow three weeks for a response. Vidéographe chooses eight projects per year.

© Nathalie Bujold

Works – Nathalie Bujold

Book launch at 6 pm followed by a screening at 7 pm

May 30, 2024
Dazibao Gallery

Free entry



To celebrate the publication of Nathalie Bujold’s monograph “Work,” Dazibao and Vidéographe present a special event. This occasion not only marks the launch of the publication but also showcases a curated selection of her artistic journey.

Spanning over two decades of experimental exploration, the film program features thirteen videos distributed by Vidéographe, ranging from “Emporium” to “Le chant des cerises.” Each video serves as a milestone in Bujold’s evolution as an artist, capturing her playful exploration of image, sound, and movement.

 

PROGRAM  62 minutes

  • Emporium, 10 min 55 s, 1999
  • Comptes à rebours, 3 min 25 s, 2002
  • La montagne Sainte-Victoire, 5 min 27 s,  2005. 
  • Les trains où vont les choses, 8 min 30 s, 2006
  • All the good things (we could have done), 5 min 13 s, 2008
  • Permanent smile, 4 min 20 s, 2008
  • O.K. Gerard, 4 min 11 s, 2009
  • Cabaret, 11 min 10 s, 2009
  • Merci, 1 min 15 s, 2013
  • Textile de cordes, 1 min 20 s ,2013.
  • Le meilleur de HIT, 4 min 45 s, 2009-2020
  • Métronomies, 48 s, 2022
  • Le chant des cerises, 1 min 07 s, 2023

 

BIOGRAPHY

Nathalie Bujold is a multidisciplinary artist, living and working in Montreal. In 1985,  she was one of the founders of the artist-run centrel’Œil de Poisson in Quebec City. She obtained an undergraduate degree from Université Laval in 1992, where she won the René-Richard Award. In 2008, she was awarded the Artistic Creation Award from the Conseils des arts et des lettres du Québec. In 2016, she received her master’s degree in Studio and Media Arts from UQAM. Her one chanel videos are distributed by Videographe and she is represented by ELLEPHANT gallery.