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Black and white photo. A girl with short hair and discolored

© Eduardo Menz, P.O.P., 2013

Screening and discussion with Eduardo Menz



Eduardo Menz’s work regularly adopts genre tropes such as experimental formalism, narrative progression and non-fiction storytelling to create his hybrid films.

From exposing class structure in 1980s Chile to exploring the unique microcosm of some of the world’s largest airports to a simple ponytail that hypnotically sways on an endless forest path, his subject matter varies tremendously yet at the same time, carries a strong signature.

His rigorous structure limits the choices he has to work with, yet it is here, where his work opens up other possibilities.  These include a narrative progression that escapes the confines of conventions or the use of repetition as a form of remembering; images that work both to entice the memory of the viewer but also address the memory of images themselves.

Five films have been selected for the program which can be broken into two parts.  The first part includes 3 works that weave through subjects as diverse as recent civilian uprisings, an elementary school spelling bee and finally a dark day in the life of a suburb mother yet all find a familiarity by how their images attempt to leave a trace.

The second part includes two films that depict tender and vulnerable moments, obsessions with fast communication and not-so-straightforward portraits of a lost generation.  A bold look at contemporary youth and culture where a sense of performance is never too far.

Menz’s films are made up of fragments that are welded together with formality.  They show more than they show as layers slowly begin to reveal themselves leaving room for critique and offering rewards to those that invest their time into his images.  Watching the program, viewers will witness variations between the seen and the unseen, the heard and the unheard, the named and the nameless all the while unleashing sentiments of alienation that is perhaps in each of us.

PROGRAMME (Total runtime: 61 min)

YOU CAN TAKE THE STREETS AND RULE THEM BECAUSE WE ARE OF THE SKY, 2015, 13 min
fracas, 2007, 5 min
A Film Portrait on Reconstructing 12 Possibilities that Preceded the Disappearance of Zoe Dean Drum, 2011, 11 min
Acrobat, 2012, 29 min 
P.O.P., 2013, 3 min

 

Eduardo Menz was born in Edmonton, Alberta from Chilean descent and has called Montreal home since 2002. Eduardo completed his BFA in film production at Concordia University in 2006. In 2007, he co-founded Ctrllab, an exhibition space for emerging Montreal artists. He is a member of the Double Negative Collective who showcases international experimental filmmaker’s works as well as exhibit their own films and videos at numerous festivals locally and worldwide. Eduardo’s film work has always attempted to transgress and interweave the boundaries of what defines fiction, documentary and experimental film genres. Eduardo has also been the fortunate recipient of several federal and provincial media grants for his short scripts and film work. His films & videos have won awards at Brooklyn Film Festival, Big Muddy, NextFrame, Les Rendez-Vous du Cinema Quebecois, Hot Docs and Images Festival.

© Charlotte Clermont, Plants Are Like People, 2018

Technical Support Program

Call for submissions

Deadline : March 1st, 2022



CALL FOR SUBMISSIONS

Deadline : March 1st, 2021

* New: 4 calls for submissions per year

Program description

The Technical Support Program is intended to support artists interested in experimentation and in pushing the boundaries of the moving image in all its forms.
This support can be used in the production phase of the project or in the post-production phase.

A total of 4 calls for submissions per year will be made, for which the following are the deadlines;

  • March 1st (for projects that will start between April and June)
  • June 1st (for projects that will start between July and September)
  • September 1st (for projects that will start between October and December)
  • December 1st (for projects that will start between January and March)

Please note that 2 projects per call for submissions will be selected.

Artists selected under this program have free access to:

  • Our editing suites, sound booth and digitizing equipment for a maximum of two weeks. These two weeks can be contiguous or spread over 3 months.
  • Free access to available equipment belonging to Vidéographe.
  • Two meetings with Vidéographe’s team to discuss the project and its circulation potential: one meeting at the start of the project in order to specify the needs and a second meeting at the end of the project.
  • The possibility of organizing a private screening at Vidéographe.

It is not necessary to be a member of Vidéographe to apply; however, should your proposal be accepted, we will ask that you become a member. Once you have signed the agreement, you will have three months to take advantage of the benefits that this program has to offer. Regular membership fees are $50 + tx per year and student membership fees are $25 + tx per year.

We are looking to support independent experimental or documentary works that stand apart for their currency and endeavour to renew the artistic language. We will accept proposals for single-channel video, installation, Web-based work, and all other forms of moving image. We consider all genres—video art, experimental work, fiction, documentary or essay form, animation, dance video, and videoclip. Please note that all works must be independent and non-commercial. Projects of a conventional nature, such as classic short narrative film or television documentary will not be considered.

Once your project is finished, you may submit it for active distribution by Vidéographe. Please note however that acceptance into the Technical Support Program does not guarantee that your work will be distributed.

Required

  • Candidates must possess full editorial and creative control of the project.
  • Projects must be independent and non-commercial.
  • Projects that have received support through this program may not be re-submitted.
  • Student projects are not admissible.
  • We encourage traditionally under-represented artists to submit a project. Vidéographe is driven by the conviction that multiple points of views are necessary to enrich society and the discipline we work in.

Selection process

Works will be chosen by a selection committee made up of Vidéographe staff and members.

Projects that are retained will be subject to a contractual agreement between the artist and Vidéographe. Schedules, revised budgets, and requirements regarding equipment, rooms, and technical support will be planned and clearly laid out, as will the terms and conditions relative to each party.

Application file:

  • Contact information and website if applicable
  • Project description (500 words)
  • Schedule; (Overall project timeline and detailed timeline for support for creation).
  • Technical needs; (Please consult our website for more details on our editing suites and equipment).
  • Resume.
  • Supporting documentation (current or past projects);
  • Maximum 10 minutes of video footage. Please send a link to your video(s). Do not forget to include the password if applicable; and/or maximum 15 images (max: 1024 px wide, 72 dpi); sketches, plans, and mock-ups may also be submitted in PDF format.

Submission of your file

Applications will be accepted by email only. An acknowledgment of receipt will be sent. Please write TECHNICAL SUPPORT PROGRAM in the subject heading of your email and send your file to info@videographe.org. Please send your file as a SINGLE PDF document (including links to videos). Files found in the text section of the email will not be taken into account.

Please allow three weeks for a response. Vidéographe chooses eight projects per year.

© Lynn Hershman-Leeson, Seeing is Believing, 1991

Mentorship Program

CALL FOR SUBMISSIONS

Deadline : May 28th, 2024
Vidéographe



Program Description:

Vidéographe’s mentorship program is intended to encourage the professional and artistic development of Montreal-based artists in the early stages of their career. Selected participants in this program will benefit from 16 hours of consultation time with a professional artist in their field. The mentorship program can help in developing a new project, exploring a new technique, or in completing a work-in-progress.

 

Artists selected under this program have free access to:

16 hours of mentorship from an established artist working in their field. Access to Vidéographe’s editing suites, sound booth, digitizing equipment, and analog and digital video equipment up to a value of 1000$. Should the project require additional support thereafter a preferential rate will be applied. Please note that artists are expected to be self-sufficient as Vidéographe’s team can only offer limited hands-on technical support.

 

See all our mentor profiles HERE

 

Eligibility:

Vidéographe is looking to support independent experimental, or documentary works that stand apart for their currency and endeavour to renew the artistic language. We will accept proposals for single-channel video, installation, Web-based work, and all other forms of moving image. We consider all genres: video art, experimental work, fiction, documentary or essay form, animation, dance video, and videoclip. Please note that all works must be independent and non-commercial. Projects of a conventional nature, such as classic short narrative film or television documentary will not be considered.

 

  • Candidates must possess full editorial and creative control of the project.
  • Candidates must be emerging artists living in Montreal.
  • Projects must be independent and non-commercial.
  • Projects that have received support through this program may not be re-submitted.
  • Student projects are not admissible.

 

We encourage traditionally under-represented artists to submit a project. Vidéographe embraces the notion of an intellectual community enriched by diversity along many axes, including race, indigeneity, ethnicity, trans/nationality, gender identity and expression, sexual orientation, class, age, religion, ability, and neurodiversity.

 

Evaluation criteria:

Proposals are evaluated on the following criteria:

  • Contribution of the Mentorship Program to the project and to the artist’s professional development.
  • Thoroughness and relevance of research.
  • Innovative character of the project.

 

Selection process:

Works will be chosen by a selection committee made up of professional media artists and Vidéographe staff members. Projects that are retained will be subject to a contractual agreement between the artist and Vidéographe. Schedules, revised budgets, and requirements regarding equipment, rooms, and technical support will be planned and clearly laid out, as will the terms and conditions relative to each party.

 

Submissions:

Applications must include the following:

  • The candidate’s contact information and website (if applicable).
  • An artist statement (max 300 words)
  • A project description (max 500 words)
  • A motivational letter stipulating the candidate’s desired mentor mentors and why (see all our mentor profiles HERE), as well as the candidate’s expected benefits from this program (max 500 words)
  • A schedule including the overall project timeline and detailed timeline for the Mentorship Program.
  • Technical requirements (please consult our website for more details on our editing suites and equipment).
  • The candidate’s CV (max 3 pages).
  • Visual support material including current or past projects. Maximum of 10 minutes of video footage. Please send a link to your video(s). Do not forget to include the password if applicable. Up to 15 images, sketches, plans, and mock-ups may also be submitted in PDF format.

 

Applications will be accepted by email only. Please send your file as a SINGLE PDF document including links to videos and other visual support material (max 25MB). Incomplete applications will not be considered nor will files found in the text section of the email.

 

Please write mentorship program in the subject heading of your email and send your application to info@videographe.org. An acknowledgment of receipt will be sent within 1 week of receipt.

 

Note that it is not necessary to be a member of Vidéographe to apply; however, should your proposal be accepted, we will ask that you become a member. Once you have signed the agreement, you will have up to six months to take advantage of the benefits that this program has to offer. Regular membership fees are $50 + taxes per year and student membership fees are $25 + taxes per year.

 

Once your project is finished, you may submit it for active distribution by Vidéographe. Please note however that acceptance into the Mentorship Program does not guarantee that your work will be distributed.

 

For equity reasons, should you require any accommodations or need to submit your application in an alternative format, please contact the program coordinator at info@videographe.org or at (514) 521-2116 ext: 221.

 

Applicants will be notified by the end of June 2024. Please note that Vidéographe can only support 4 projects per year.

 

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