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Black and white image. The eyes of a woman in close-up.

© marshalore, You Must Remember This, 1979

Focus marshalore

Screening and discussion

March 28 and 31 2017, at 6pm
Cinémathèque québécoise, Montréal



Curators: Karine Boulanger and Denis Vaillancourt

Vidéographe and the 35th International Festival of Film on Art (FIFA) are proud to collaborate for the presentation a non-exhaustive retrospective on marshalore, a multidisciplinary artist and pioneer of Quebec and Canadian video. This is the opportunity to rediscover this free and astonishing work, of which several titles were to this day inaccessible.

marshalore achievements explore the themes of identity and behavior, through actions, camouflage, genre games and narrative fantasy. Performance is at the center of the artist’s work, most often present in front of the camera. Both familiar and elusive, she embodies both the female archetypes and the cowboys of spaghetti western or unusual behaviors. His irreducible writing, with a playful and dreamy character, is carried by a taste for transgression, in which a network of rich and complex pictorial and literary references unfolds.


PROGRAMMES
FOCUS 1
Tuesday, March 28

Ruelle – En Perspective, 1977, 10 min
You Must Remember This, 1979, 26 min
Un ode per un concettualismo italiano, 1977, 19 min
Orpheus in the Nether Land, 1979, 18 min

FOCUS 2
Friday, March 31

Street Actions, 1977, 6 min
Vers le Capitalisme, 1977, 15 min
TROP[E]ISME, 1980, 14 min
Dutch Light – Textual Actions, 1981, 22 min

_______

Biography
The multidisciplinary artist marshalore is the co-founder of Vehicule Press and Vidéo Véhicule (PRIM). She was also the director of Véhicule Art Montréal, one of Canada’s first artist-run centres. Her work draws its inspiration from environment studies, social behaviour and symbolism. Her current research focuses on the intersections of language and culture, an area embracing language, symbols and images. She has also worked with Aboriginal women on the symbolic representation of post-diaspora self-identification. Her works have been presented in North America, Europe and Japan.

marshalore’s entire body of work was recently integrated to Videographe’s collection.


Videography
1990 sans titre
1989 Expressionnisme
1985 Album
1981 Dutch Light – Textual Actions
1980 TROP[E]ISME
1980 Invasion des espaces avoisinants
1979 You Must Remember This
1979 Orpheus in the Nether Land
1978 …another state of marshalore
1977 Janet Sees Herself
1977 Street Actions
1977 Un ode per un concettualismo italiano
1977 Vers le Capitalisme
1977 Ruelle – En perspective
1976 An Existential Definition of Religion
1976 Vancouver Lift

© Charlotte Clermont, Plants Are Like People, 2018

Technical Support Program

Call for submissions

Deadline : March 1st, 2022



CALL FOR SUBMISSIONS

Deadline : March 1st, 2021

* New: 4 calls for submissions per year

Program description

The Technical Support Program is intended to support artists interested in experimentation and in pushing the boundaries of the moving image in all its forms.
This support can be used in the production phase of the project or in the post-production phase.

A total of 4 calls for submissions per year will be made, for which the following are the deadlines;

  • March 1st (for projects that will start between April and June)
  • June 1st (for projects that will start between July and September)
  • September 1st (for projects that will start between October and December)
  • December 1st (for projects that will start between January and March)

Please note that 2 projects per call for submissions will be selected.

Artists selected under this program have free access to:

  • Our editing suites, sound booth and digitizing equipment for a maximum of two weeks. These two weeks can be contiguous or spread over 3 months.
  • Free access to available equipment belonging to Vidéographe.
  • Two meetings with Vidéographe’s team to discuss the project and its circulation potential: one meeting at the start of the project in order to specify the needs and a second meeting at the end of the project.
  • The possibility of organizing a private screening at Vidéographe.

It is not necessary to be a member of Vidéographe to apply; however, should your proposal be accepted, we will ask that you become a member. Once you have signed the agreement, you will have three months to take advantage of the benefits that this program has to offer. Regular membership fees are $50 + tx per year and student membership fees are $25 + tx per year.

We are looking to support independent experimental or documentary works that stand apart for their currency and endeavour to renew the artistic language. We will accept proposals for single-channel video, installation, Web-based work, and all other forms of moving image. We consider all genres—video art, experimental work, fiction, documentary or essay form, animation, dance video, and videoclip. Please note that all works must be independent and non-commercial. Projects of a conventional nature, such as classic short narrative film or television documentary will not be considered.

Once your project is finished, you may submit it for active distribution by Vidéographe. Please note however that acceptance into the Technical Support Program does not guarantee that your work will be distributed.

Required

  • Candidates must possess full editorial and creative control of the project.
  • Projects must be independent and non-commercial.
  • Projects that have received support through this program may not be re-submitted.
  • Student projects are not admissible.
  • We encourage traditionally under-represented artists to submit a project. Vidéographe is driven by the conviction that multiple points of views are necessary to enrich society and the discipline we work in.

Selection process

Works will be chosen by a selection committee made up of Vidéographe staff and members.

Projects that are retained will be subject to a contractual agreement between the artist and Vidéographe. Schedules, revised budgets, and requirements regarding equipment, rooms, and technical support will be planned and clearly laid out, as will the terms and conditions relative to each party.

Application file:

  • Contact information and website if applicable
  • Project description (500 words)
  • Schedule; (Overall project timeline and detailed timeline for support for creation).
  • Technical needs; (Please consult our website for more details on our editing suites and equipment).
  • Resume.
  • Supporting documentation (current or past projects);
  • Maximum 10 minutes of video footage. Please send a link to your video(s). Do not forget to include the password if applicable; and/or maximum 15 images (max: 1024 px wide, 72 dpi); sketches, plans, and mock-ups may also be submitted in PDF format.

Submission of your file

Applications will be accepted by email only. An acknowledgment of receipt will be sent. Please write TECHNICAL SUPPORT PROGRAM in the subject heading of your email and send your file to info@videographe.org. Please send your file as a SINGLE PDF document (including links to videos). Files found in the text section of the email will not be taken into account.

Please allow three weeks for a response. Vidéographe chooses eight projects per year.

© Nathalie Bujold

Works – Nathalie Bujold

Book launch at 6 pm followed by a screening at 7 pm

May 30, 2024
Dazibao Gallery

Free entry



To celebrate the publication of Nathalie Bujold’s monograph “Work,” Dazibao and Vidéographe present a special event. This occasion not only marks the launch of the publication but also showcases a curated selection of her artistic journey.

Spanning over two decades of experimental exploration, the film program features thirteen videos distributed by Vidéographe, ranging from “Emporium” to “Le chant des cerises.” Each video serves as a milestone in Bujold’s evolution as an artist, capturing her playful exploration of image, sound, and movement.

 

PROGRAM  62 minutes

  • Emporium, 10 min 55 s, 1999
  • Comptes à rebours, 3 min 25 s, 2002
  • La montagne Sainte-Victoire, 5 min 27 s,  2005. 
  • Les trains où vont les choses, 8 min 30 s, 2006
  • All the good things (we could have done), 5 min 13 s, 2008
  • Permanent smile, 4 min 20 s, 2008
  • O.K. Gerard, 4 min 11 s, 2009
  • Cabaret, 11 min 10 s, 2009
  • Merci, 1 min 15 s, 2013
  • Textile de cordes, 1 min 20 s ,2013.
  • Le meilleur de HIT, 4 min 45 s, 2009-2020
  • Métronomies, 48 s, 2022
  • Le chant des cerises, 1 min 07 s, 2023

 

BIOGRAPHY

Nathalie Bujold is a multidisciplinary artist, living and working in Montreal. In 1985,  she was one of the founders of the artist-run centrel’Œil de Poisson in Quebec City. She obtained an undergraduate degree from Université Laval in 1992, where she won the René-Richard Award. In 2008, she was awarded the Artistic Creation Award from the Conseils des arts et des lettres du Québec. In 2016, she received her master’s degree in Studio and Media Arts from UQAM. Her one chanel videos are distributed by Videographe and she is represented by ELLEPHANT gallery.