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White text on a blue background. It’s been five days. I can see how bright the sun is from my window.

© Nayla Dabaji, out of the corner of my eye, 2015

Nayla Dabaji
Reconstructions

Screening and discussion

Wednesday, November 15, 2017, 7pm
Dazibao, Montreal

Free



5455, Gaspé av., #109 (RC), Montreal
Free entry. Limited seats.
Booking+

As part of the third dv_vd screenings, a fruitful collaboration between Vidéographe and Dazibao.

Nayla Dabaji presents a selection of videos and visual art works/installations that are representative of her artistic process. Some of these works are individual projects, while others have been produced in collaboration with Ziad Bitar, an artist who, like her, studied art in Lebanon and moved to Montreal in 2011. The visual arts projects often employ narrative, dialogue, or testimony: climbing Mont Saint-Hilaire after having pinpointed it on a map; following the Daebudo tide by bike; imagining carrying the ceramic tiles of her Beirut studio; imagining following in the footsteps of Buster Keaton; talking to passers-by in Seoul about loudspeakers that no longer existed; collecting painful stories and then trying hard to forget them.

The selected videos offer contemplative reflections on migration, the accidental, landscape, and travel: a character recounts his vain attempts to cross the border that he / she survives miraculously every time; a journey to find answers through a contemplation the sea; the surreal movement of words through time and space; thoughts and images emerge from her mind then fade away in the corner of the screen. These works are journeys in themselves; we feel their movement, like breathing, and a great deal happens in the artist mind’s eye or that of the viewer.

 

PROGRAM
Presentation of visual art works
Wearing a place, 2014
Who said that something happened?, in collaboration with Ziad Bitar, 2006
A road into the sea, 2010
Gratter le ciel par la racine/Km.0, in collaboration with Ziad Bitar, 2017

Projection (34 min)
Waves, 2 min 29 s (excerpt), 2014
Interval, 8 min 20 s, 2014
out of time, temps morts, 5 min 16 s (excerpt), 2015
Rumors, 8 min 34 s, 2015
out of the corner of my eye, 3 min 15 s, 2015
Km.0, realized with Ziad Bitar, 6 min 22 s, 2017

 

Biographical notes
Nayla Dabaji 
was born in Beirut and holds a diplôme d’études supérieures in Fine Arts from the Lebanese Academy of Fine Arts (ALBA). She works with a variety of mediums ranging from photography and installation to performative actions, texts and weaving. After living in Cameroon, France and Lebanon, she moves to Québec in 2011 and develops an interest in video art while studying Intermedia/Cyberarts at Concordia University. Her videos, distributed by Vidéographe, have been screened at festivals such as Les Rendez-vous du cinéma québécois, the International Festival of films on art, Instants Vidéo, the Stuttgarter Filmwinter and Vidéoformes. Aside from her individual practice, she works in duo with Ziad Bitar. Their work has been shown in various galleries, institutions and art spaces such as Vu Photo in Quebec, Artsonje Center in Seoul, Gertrude Contemporary in Melbourne, the Townhouse Gallery in Cairo and Espace libre in Biel. nayladabaji.com

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© Charlotte Clermont, Plants Are Like People, 2018

Technical Support Program

Call for submissions

Deadline : March 1st, 2022



CALL FOR SUBMISSIONS

Deadline : March 1st, 2021

* New: 4 calls for submissions per year

Program description

The Technical Support Program is intended to support artists interested in experimentation and in pushing the boundaries of the moving image in all its forms.
This support can be used in the production phase of the project or in the post-production phase.

A total of 4 calls for submissions per year will be made, for which the following are the deadlines;

  • March 1st (for projects that will start between April and June)
  • June 1st (for projects that will start between July and September)
  • September 1st (for projects that will start between October and December)
  • December 1st (for projects that will start between January and March)

Please note that 2 projects per call for submissions will be selected.

Artists selected under this program have free access to:

  • Our editing suites, sound booth and digitizing equipment for a maximum of two weeks. These two weeks can be contiguous or spread over 3 months.
  • Free access to available equipment belonging to Vidéographe.
  • Two meetings with Vidéographe’s team to discuss the project and its circulation potential: one meeting at the start of the project in order to specify the needs and a second meeting at the end of the project.
  • The possibility of organizing a private screening at Vidéographe.

It is not necessary to be a member of Vidéographe to apply; however, should your proposal be accepted, we will ask that you become a member. Once you have signed the agreement, you will have three months to take advantage of the benefits that this program has to offer. Regular membership fees are $50 + tx per year and student membership fees are $25 + tx per year.

We are looking to support independent experimental or documentary works that stand apart for their currency and endeavour to renew the artistic language. We will accept proposals for single-channel video, installation, Web-based work, and all other forms of moving image. We consider all genres—video art, experimental work, fiction, documentary or essay form, animation, dance video, and videoclip. Please note that all works must be independent and non-commercial. Projects of a conventional nature, such as classic short narrative film or television documentary will not be considered.

Once your project is finished, you may submit it for active distribution by Vidéographe. Please note however that acceptance into the Technical Support Program does not guarantee that your work will be distributed.

Required

  • Candidates must possess full editorial and creative control of the project.
  • Projects must be independent and non-commercial.
  • Projects that have received support through this program may not be re-submitted.
  • Student projects are not admissible.
  • We encourage traditionally under-represented artists to submit a project. Vidéographe is driven by the conviction that multiple points of views are necessary to enrich society and the discipline we work in.

Selection process

Works will be chosen by a selection committee made up of Vidéographe staff and members.

Projects that are retained will be subject to a contractual agreement between the artist and Vidéographe. Schedules, revised budgets, and requirements regarding equipment, rooms, and technical support will be planned and clearly laid out, as will the terms and conditions relative to each party.

Application file:

  • Contact information and website if applicable
  • Project description (500 words)
  • Schedule; (Overall project timeline and detailed timeline for support for creation).
  • Technical needs; (Please consult our website for more details on our editing suites and equipment).
  • Resume.
  • Supporting documentation (current or past projects);
  • Maximum 10 minutes of video footage. Please send a link to your video(s). Do not forget to include the password if applicable; and/or maximum 15 images (max: 1024 px wide, 72 dpi); sketches, plans, and mock-ups may also be submitted in PDF format.

Submission of your file

Applications will be accepted by email only. An acknowledgment of receipt will be sent. Please write TECHNICAL SUPPORT PROGRAM in the subject heading of your email and send your file to info@videographe.org. Please send your file as a SINGLE PDF document (including links to videos). Files found in the text section of the email will not be taken into account.

Please allow three weeks for a response. Vidéographe chooses eight projects per year.

© Nathalie Bujold

Works – Nathalie Bujold

Book launch at 6 pm followed by a screening at 7 pm

May 30, 2024
Dazibao Gallery

Free entry



To celebrate the publication of Nathalie Bujold’s monograph “Work,” Dazibao and Vidéographe present a special event. This occasion not only marks the launch of the publication but also showcases a curated selection of her artistic journey.

Spanning over two decades of experimental exploration, the film program features thirteen videos distributed by Vidéographe, ranging from “Emporium” to “Le chant des cerises.” Each video serves as a milestone in Bujold’s evolution as an artist, capturing her playful exploration of image, sound, and movement.

 

PROGRAM  62 minutes

  • Emporium, 10 min 55 s, 1999
  • Comptes à rebours, 3 min 25 s, 2002
  • La montagne Sainte-Victoire, 5 min 27 s,  2005. 
  • Les trains où vont les choses, 8 min 30 s, 2006
  • All the good things (we could have done), 5 min 13 s, 2008
  • Permanent smile, 4 min 20 s, 2008
  • O.K. Gerard, 4 min 11 s, 2009
  • Cabaret, 11 min 10 s, 2009
  • Merci, 1 min 15 s, 2013
  • Textile de cordes, 1 min 20 s ,2013.
  • Le meilleur de HIT, 4 min 45 s, 2009-2020
  • Métronomies, 48 s, 2022
  • Le chant des cerises, 1 min 07 s, 2023

 

BIOGRAPHY

Nathalie Bujold is a multidisciplinary artist, living and working in Montreal. In 1985,  she was one of the founders of the artist-run centrel’Œil de Poisson in Quebec City. She obtained an undergraduate degree from Université Laval in 1992, where she won the René-Richard Award. In 2008, she was awarded the Artistic Creation Award from the Conseils des arts et des lettres du Québec. In 2016, she received her master’s degree in Studio and Media Arts from UQAM. Her one chanel videos are distributed by Videographe and she is represented by ELLEPHANT gallery.