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résidence LUX

LUX – Creation and Dissemination Residency
Three selected projects

LUX - Creation and Dissemination Residency



Main Film, OBORO, PRIM and Vidéographe are pleased to announce the three selected projects for LUX, the residency dedicated to support the creation and dissemination of original moving image-based artworks by artists from Quebec and Canada. res-lux.art

75 proposals have been analyzed by a jury.
Congratulations to Edith Brunette and François Lemieux (Vases communicants), Kim Kielhofner (All the images) and Roberto Santaguida (Oekistics 1).

The three residency projects will be completed between March 2018 and February 2020. Support for this Vidéographe initiative is provided through the Conseil des arts et des lettres du Québec’s Concertation et innovation program. The artists will have access to technical and logistical support, the combined equipment pools of all four partner organizations, as well as professional promotion and dissemination services.

François Lemieux’s varied art activity melds practice, publishing and research in the form of installations, documents and situations that aim to prompt collective thinking about the notions of value, exhibition, commonality, and the relationship to the norm. A cofounder of the organization Journée sans culture, he co-edits the publication Le Merle, Cahiers sur les mots et les gestes.
Edith Brunette combines artistic practice and theoretical research. Both aspects of her practice reflect on discourses in relation to artworks in the field of the arts, and to what they reveal of the political forces and games at work. As an author and researcher, she regularly publishes texts in journals and art publications. A cofounder of the organization Journée sans culture, she iscurrently enrolled in a PhD program in political sciences at the University of Ottawa.
The project developed by Edith Brunette and Francois Lemieux for the Lux artist-in-residence program testifies to the exigencies and excesses of today’s world, chequered by infrastructure — pipelines, borders, Human Resources, surveillance networks — as well as streaked by movements and displacements that can’t be fully grasped — migrations, dispossession, occupations, exhaustion, explosions, leaks. EdithBrunetteFrançoisLemieux/vimeo

Kim Kielhofner is an artist living in Montréal. She completed a Master’s of Fine Art at Central Saint Martins College of Art and Design in London, UK in 2010 and a Bachelor of Fine Arts degree at Concordia University in 2007. She is known for her videos and drawings that often take the form of books. Her work has been shown in numerous festivals and exhibitions. Recently, she has had solo exhibitions at VOX (Montréal, 2015), Sporobole (Sherbrooke, 2017), LUX (London, 2017) and Dazibao (Montréal, 2017). She won the Hnatyshyn Foundation Charles Patcher Prize (for emerging artists) in 2013 and participated in a residency in Vienna through KulturKontakt Austria in 2017. During her residency, she will expand her interest in layered narratives by developing a video installation exploring simultaneity and simulacrum. kimkielhofner/vimeo

Since completing his studies in Cinema at Concordia University, Roberto Santaguida’s films and videos have been shown at more than 250 festivals around the world. He has been the artist in residency in numerous countries, including the United States, Romania, Germany, Norway and Australia. Roberto is a recipient of the K.M. Hunter Artist Award and a fellowship from Akademie Schloss Solitude in Germany. His project Oekistics 1 is a documentary film installation examining the memories of past places, scarcely visited unless by accident. RobertoSantaguida/vimeo

© Charlotte Clermont, Plants Are Like People, 2018

Technical Support Program

Call for submissions

Deadline : March 1st, 2022



CALL FOR SUBMISSIONS

Deadline : March 1st, 2021

* New: 4 calls for submissions per year

Program description

The Technical Support Program is intended to support artists interested in experimentation and in pushing the boundaries of the moving image in all its forms.
This support can be used in the production phase of the project or in the post-production phase.

A total of 4 calls for submissions per year will be made, for which the following are the deadlines;

  • March 1st (for projects that will start between April and June)
  • June 1st (for projects that will start between July and September)
  • September 1st (for projects that will start between October and December)
  • December 1st (for projects that will start between January and March)

Please note that 2 projects per call for submissions will be selected.

Artists selected under this program have free access to:

  • Our editing suites, sound booth and digitizing equipment for a maximum of two weeks. These two weeks can be contiguous or spread over 3 months.
  • Free access to available equipment belonging to Vidéographe.
  • Two meetings with Vidéographe’s team to discuss the project and its circulation potential: one meeting at the start of the project in order to specify the needs and a second meeting at the end of the project.
  • The possibility of organizing a private screening at Vidéographe.

It is not necessary to be a member of Vidéographe to apply; however, should your proposal be accepted, we will ask that you become a member. Once you have signed the agreement, you will have three months to take advantage of the benefits that this program has to offer. Regular membership fees are $50 + tx per year and student membership fees are $25 + tx per year.

We are looking to support independent experimental or documentary works that stand apart for their currency and endeavour to renew the artistic language. We will accept proposals for single-channel video, installation, Web-based work, and all other forms of moving image. We consider all genres—video art, experimental work, fiction, documentary or essay form, animation, dance video, and videoclip. Please note that all works must be independent and non-commercial. Projects of a conventional nature, such as classic short narrative film or television documentary will not be considered.

Once your project is finished, you may submit it for active distribution by Vidéographe. Please note however that acceptance into the Technical Support Program does not guarantee that your work will be distributed.

Required

  • Candidates must possess full editorial and creative control of the project.
  • Projects must be independent and non-commercial.
  • Projects that have received support through this program may not be re-submitted.
  • Student projects are not admissible.
  • We encourage traditionally under-represented artists to submit a project. Vidéographe is driven by the conviction that multiple points of views are necessary to enrich society and the discipline we work in.

Selection process

Works will be chosen by a selection committee made up of Vidéographe staff and members.

Projects that are retained will be subject to a contractual agreement between the artist and Vidéographe. Schedules, revised budgets, and requirements regarding equipment, rooms, and technical support will be planned and clearly laid out, as will the terms and conditions relative to each party.

Application file:

  • Contact information and website if applicable
  • Project description (500 words)
  • Schedule; (Overall project timeline and detailed timeline for support for creation).
  • Technical needs; (Please consult our website for more details on our editing suites and equipment).
  • Resume.
  • Supporting documentation (current or past projects);
  • Maximum 10 minutes of video footage. Please send a link to your video(s). Do not forget to include the password if applicable; and/or maximum 15 images (max: 1024 px wide, 72 dpi); sketches, plans, and mock-ups may also be submitted in PDF format.

Submission of your file

Applications will be accepted by email only. An acknowledgment of receipt will be sent. Please write TECHNICAL SUPPORT PROGRAM in the subject heading of your email and send your file to info@videographe.org. Please send your file as a SINGLE PDF document (including links to videos). Files found in the text section of the email will not be taken into account.

Please allow three weeks for a response. Vidéographe chooses eight projects per year.

© Nathalie Bujold

Works – Nathalie Bujold

Book launch at 6 pm followed by a screening at 7 pm

May 30, 2024
Dazibao Gallery

Free entry



To celebrate the publication of Nathalie Bujold’s monograph “Work,” Dazibao and Vidéographe present a special event. This occasion not only marks the launch of the publication but also showcases a curated selection of her artistic journey.

Spanning over two decades of experimental exploration, the film program features thirteen videos distributed by Vidéographe, ranging from “Emporium” to “Le chant des cerises.” Each video serves as a milestone in Bujold’s evolution as an artist, capturing her playful exploration of image, sound, and movement.

 

PROGRAM  62 minutes

  • Emporium, 10 min 55 s, 1999
  • Comptes à rebours, 3 min 25 s, 2002
  • La montagne Sainte-Victoire, 5 min 27 s,  2005. 
  • Les trains où vont les choses, 8 min 30 s, 2006
  • All the good things (we could have done), 5 min 13 s, 2008
  • Permanent smile, 4 min 20 s, 2008
  • O.K. Gerard, 4 min 11 s, 2009
  • Cabaret, 11 min 10 s, 2009
  • Merci, 1 min 15 s, 2013
  • Textile de cordes, 1 min 20 s ,2013.
  • Le meilleur de HIT, 4 min 45 s, 2009-2020
  • Métronomies, 48 s, 2022
  • Le chant des cerises, 1 min 07 s, 2023

 

BIOGRAPHY

Nathalie Bujold is a multidisciplinary artist, living and working in Montreal. In 1985,  she was one of the founders of the artist-run centrel’Œil de Poisson in Quebec City. She obtained an undergraduate degree from Université Laval in 1992, where she won the René-Richard Award. In 2008, she was awarded the Artistic Creation Award from the Conseils des arts et des lettres du Québec. In 2016, she received her master’s degree in Studio and Media Arts from UQAM. Her one chanel videos are distributed by Videographe and she is represented by ELLEPHANT gallery.