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Une carrière de pierre à la tombée de la nuit

© Julien Champagne, Screens, 2018

Julien Champagne
Screens

Exhibition

September 7 - October 6, 2018
Occurrence

OPENING
Friday, September 7, 2019
as from 5pm

Free



Occurrence and Vidéographe are pleased to collaborate again and to co-present Julien Champagne’s five channels video installation Screens.

The project Screens is intended to illustrate the links between cinema and our common imaging of death. The making of these films involved recording the ambient sounds around the burial sites of five filmmakers from Quebec. Using a device that transforms sound into light, these recordings were then used to make an illuminated sound-reactive frame palpitate in sync with the soundtracks’ variations in volume. The frame was installed at five sites in Quebec in which the selected filmmakers’ films were shot; each of these interventions in the landscape was documented with a video camera, at nightfall.

In the resulting 40-minute shots, we initially see the device planted in the landscape and then, as the image gradually becomes more obscure, we watch it disappear and be replaced by a simple rectangle of light that seems to hover in the air. This rectangle of light may evoke the archetypal form of the cinema screen, or may bring to mind the autofocus collimator that can be seen in the viewfinders of numerous photo or video cameras. Its flickering light evokes one of the fundamental principles of cinema: the illuminated palpitation through which the illusion of movement can be created.

 

Biography
Julien Champagne has developed a multidisciplinary practice that straddles the fields of media arts and experimental music, through which he explores the malleability of sound, of the landscape, and of everyday objects, while often making reference to works from the 20th century canon. Champagne holds a Master’s Degree in the History of Art, and in his research he explores the phenomenon of the appropriation of cinematographic devices in contemporary art. As a musician, he plays with various improv bands and collaborates with film- and video-makers to foster dialogue between sound and moving image. His collaborations have led to his work being presented in numerous music and film festivals in Canada, France, the US and Australia. In parallel with this, he works as a multimedia designer and writer in studios specializing in interactive arts. He lives and works in Montréal. Julienchampagne/vimeo

 

Excerpt (Accelerated editing of the video captation at Black Lake)

© Charlotte Clermont, Plants Are Like People, 2018

Technical Support Program

Call for submissions

Deadline : March 1st, 2022



CALL FOR SUBMISSIONS

Deadline : March 1st, 2021

* New: 4 calls for submissions per year

Program description

The Technical Support Program is intended to support artists interested in experimentation and in pushing the boundaries of the moving image in all its forms.
This support can be used in the production phase of the project or in the post-production phase.

A total of 4 calls for submissions per year will be made, for which the following are the deadlines;

  • March 1st (for projects that will start between April and June)
  • June 1st (for projects that will start between July and September)
  • September 1st (for projects that will start between October and December)
  • December 1st (for projects that will start between January and March)

Please note that 2 projects per call for submissions will be selected.

Artists selected under this program have free access to:

  • Our editing suites, sound booth and digitizing equipment for a maximum of two weeks. These two weeks can be contiguous or spread over 3 months.
  • Free access to available equipment belonging to Vidéographe.
  • Two meetings with Vidéographe’s team to discuss the project and its circulation potential: one meeting at the start of the project in order to specify the needs and a second meeting at the end of the project.
  • The possibility of organizing a private screening at Vidéographe.

It is not necessary to be a member of Vidéographe to apply; however, should your proposal be accepted, we will ask that you become a member. Once you have signed the agreement, you will have three months to take advantage of the benefits that this program has to offer. Regular membership fees are $50 + tx per year and student membership fees are $25 + tx per year.

We are looking to support independent experimental or documentary works that stand apart for their currency and endeavour to renew the artistic language. We will accept proposals for single-channel video, installation, Web-based work, and all other forms of moving image. We consider all genres—video art, experimental work, fiction, documentary or essay form, animation, dance video, and videoclip. Please note that all works must be independent and non-commercial. Projects of a conventional nature, such as classic short narrative film or television documentary will not be considered.

Once your project is finished, you may submit it for active distribution by Vidéographe. Please note however that acceptance into the Technical Support Program does not guarantee that your work will be distributed.

Required

  • Candidates must possess full editorial and creative control of the project.
  • Projects must be independent and non-commercial.
  • Projects that have received support through this program may not be re-submitted.
  • Student projects are not admissible.
  • We encourage traditionally under-represented artists to submit a project. Vidéographe is driven by the conviction that multiple points of views are necessary to enrich society and the discipline we work in.

Selection process

Works will be chosen by a selection committee made up of Vidéographe staff and members.

Projects that are retained will be subject to a contractual agreement between the artist and Vidéographe. Schedules, revised budgets, and requirements regarding equipment, rooms, and technical support will be planned and clearly laid out, as will the terms and conditions relative to each party.

Application file:

  • Contact information and website if applicable
  • Project description (500 words)
  • Schedule; (Overall project timeline and detailed timeline for support for creation).
  • Technical needs; (Please consult our website for more details on our editing suites and equipment).
  • Resume.
  • Supporting documentation (current or past projects);
  • Maximum 10 minutes of video footage. Please send a link to your video(s). Do not forget to include the password if applicable; and/or maximum 15 images (max: 1024 px wide, 72 dpi); sketches, plans, and mock-ups may also be submitted in PDF format.

Submission of your file

Applications will be accepted by email only. An acknowledgment of receipt will be sent. Please write TECHNICAL SUPPORT PROGRAM in the subject heading of your email and send your file to info@videographe.org. Please send your file as a SINGLE PDF document (including links to videos). Files found in the text section of the email will not be taken into account.

Please allow three weeks for a response. Vidéographe chooses eight projects per year.

© Siam Obregon, 2025

Technical internship – digital video distribution, evaluation, and conservation

Paid internship offer

APPLICATION DEADLINE : SEPTEMBER 5, 2025
Vidéographe



DETAILS

APPLICATION DEADLINE: September 5, 2025

INTERVIEWS WITH CANDIDATES: September 18 to 24, 2025

ANNOUNCEMENT OF SELECTED CANDIDATE: September 25, 2025

INTERNSHIP PERIOD: October 1, 2025 – March 1, 2026

 

DESCRIPTION

Vidéographe offers an in-depth technical internship focused on developing video skills related to digital cinema projection, databases, digital collections, and platforms, as well as advanced digital video production techniques related to conservation, experimental tools, and installation practices.

 

The internship combines training and practical experience in various specific aspects of digital video, from DCP (Digital Cinema Package) management to learning our custom database software linked to the NAS digital storage system. This internship will allow the successful candidate to strengthen their digital skills, gain practical experience in professional digital environments, and actively contribute to the digital transition of cultural tools.  

 

Internship activities include, but are not limited to:

 

  • inspecting and evaluating new video acquisitions
  • preparing and transcoding files for mastering, archiving, broadcasting, and the web
  • creating DCPs (Digital Cinema Packages) for festivals and cinemas
  • digitizing and inspecting the physical collection
  • monitoring and evaluating digital preservation projects
  • researching and testing new tools for the preservation of older video formats
  • editing and mastering programs for exhibition
  • inspecting and creating subtitles for video
  • managing video files via our custom database software and NAS digital storage system
  • researching and testing new creation tools and software 
  • managing equipment rentals to members via our custom rental inventory software
  • installing digital video equipment for production and exhibition
  • documenting tools, methods, and research via our custom wiki.

 

CONDITIONS

Hours worked per week:  28.00

Hourly wage:  $25.33

 

ELIGIBILITY CRITERIA

  • Be between the ages of 15-30 years old (at the start of the internship);
  • Be legally entitled to work in Canada (must be either a citizen, permanent resident or person with refugee status);
  • Declare yourself as underemployed (i.e., have a job below your level of education, work part-time, or work in emerging fields where there are few jobs);
  • Have completed post-secondary studies (Interns in Nunavut, Yukon or NWT are not required to meet this criterion);
  • Not be immediately related to the employer.

 

APPLICATIONS

The application must include:

  • A cover letter explaining your motivation
  • An up-to-date resume

 

Applications must be sent in a single PDF file to info@videographe.org with the subject line 

Paid technical internship – application

 

This project is funded by the Government of Canada.