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Introduction to Da Vinci Resolve Lite
Guillaume Millet

Workshop

23, 24, 30 and 31 march 2019 from 10am to 6pm
Vidéographe

185$ member / 225$ non-member



Class Outline

This introductory course of the DaVinci Resolve Lite software is designed for people with little to no experience with the program. During the four day training, each participant will be provided with a computer so that they can complete the practical exercises that will allow them to better understand the theoretical content.

This course will be given in French on an English software. The latest version of the software will be used.

Below is a brief overview of the lesson plan. Thank you for reading the course outline completely before signing up.

Day 1 – 6 hours – Theory day with PowerPoint and Resolve.

The first day of training will be essentially dedicated to the general introduction of the software, the creation and fine-tuning of an editing project, and importing and preparing media for editing. In parallel, in the various chapters of the software settings, we will discuss, if necessary or at the request of the participants, more technical points regarding the basics of video and cinema (image size, rhythm, colour calibration, compression, Raw, Log, interlaced or progressive images…) in order to consolidate these very important steps in the software.

Day 2 – 6 hours – Media and editing day.

During the second day of training, we will dedicated ourselves to the editing portion of the software by discovering the interface, the different tools and possibilities, the aesthetic components, versioning and importing/exporting to other editing platforms, all punctuated by practice sessions (participants may bring their own images for exercise purposes).

Day 3 – 6 hours – Colourisation day.

The third day will be entirely dedicated to colourisation. We will address the principles of colourisation through the different methods of image selection, of work in nodes, the management of Looks, of Luts, the automation of correction work, the aesthetics and the bias of a document, as well as some fundamentals on the proper procedure to follow when colouring it.

Day 4 – 6 hours – Overview day of Fairlight and Delivery.

The last day will begin with an overview of the Fairlight section of the software. We will look at how to assign audio tracks, apply basic audio correction effects such as equalisation, reverberation, gain, compression, and the basic principles of sound editing and mixing. This part of the course will be very punctual due to the lack of time and qualification in the field by the teacher.

The Delivery page, the last section of the software, will be addressed for any work of various output of editing or associated images, with a look at the different types of outputs (Dailies, editing, Mastering…). We will also look at how to manage the different types of compression (H264, ProRes, DnxHD) as well as the management of embedded elements such as the embedded timecode or Watermarks. We will also look at the production of DCP for movie theatres.

Computers will be at participants’ disposal on demand and subject to availability.

To attend

For further information or to reserve a place, please contact Olivia Lagacé on  (514) 521-2116 (ext. 221) or at info@videographe.org

The classes can accomodate 8 persons maximum and the classes are between 10am and 6pm with a hour for lunch break.

Policies

Reservation/payment
Reservations can be made by telephone or email; please note that payment must be made in full before registration is confirmed. Payment options are:
– via internet: Paypal
– via telephone: Visa credit card. Call 514-521-2116 ext. 221
– in person: debit card, Visa credit card or cash.

Cancellations and refunds
Should you wish to cancel your place on the course, prior notice must be given. If notice is given more than two weeks before the course begins, Vidéographe will retain 15% of the total course fees to cover administration costs.
If notice is given more than two working days and less than two weeks before the course begins, Vidéographe will retain 50% of the total course fees.
If notice is given less than two working days before the course begins, no refund will be given.

Cancellation of course
Vidéographe reserves the right to cancel courses at any time and without prior notice. Registration fees will be reimbursed in full.

 

 

Guillaume Millet

Guillaume has more than 25 years’ experience in the field of postproduction as an online and offline editor and, more particularly, as a colorist and motion graphic designer. He also works as an advisor and supervises production flow.

As he is passionate about technology and always on the lookout for new products, Guillaume is often consulted for projects from conception to delivery.

Guillaume has worked in various production and post-production companies in Europe as well as in Canada in fields ranging from documentary, feature films, international co-productions, television series, commercials, animations, and filmed stage shows.

© Charlotte Clermont, Plants Are Like People, 2018

Technical Support Program

Call for submissions

Deadline : March 1st, 2022



CALL FOR SUBMISSIONS

Deadline : March 1st, 2021

* New: 4 calls for submissions per year

Program description

The Technical Support Program is intended to support artists interested in experimentation and in pushing the boundaries of the moving image in all its forms.
This support can be used in the production phase of the project or in the post-production phase.

A total of 4 calls for submissions per year will be made, for which the following are the deadlines;

  • March 1st (for projects that will start between April and June)
  • June 1st (for projects that will start between July and September)
  • September 1st (for projects that will start between October and December)
  • December 1st (for projects that will start between January and March)

Please note that 2 projects per call for submissions will be selected.

Artists selected under this program have free access to:

  • Our editing suites, sound booth and digitizing equipment for a maximum of two weeks. These two weeks can be contiguous or spread over 3 months.
  • Free access to available equipment belonging to Vidéographe.
  • Two meetings with Vidéographe’s team to discuss the project and its circulation potential: one meeting at the start of the project in order to specify the needs and a second meeting at the end of the project.
  • The possibility of organizing a private screening at Vidéographe.

It is not necessary to be a member of Vidéographe to apply; however, should your proposal be accepted, we will ask that you become a member. Once you have signed the agreement, you will have three months to take advantage of the benefits that this program has to offer. Regular membership fees are $50 + tx per year and student membership fees are $25 + tx per year.

We are looking to support independent experimental or documentary works that stand apart for their currency and endeavour to renew the artistic language. We will accept proposals for single-channel video, installation, Web-based work, and all other forms of moving image. We consider all genres—video art, experimental work, fiction, documentary or essay form, animation, dance video, and videoclip. Please note that all works must be independent and non-commercial. Projects of a conventional nature, such as classic short narrative film or television documentary will not be considered.

Once your project is finished, you may submit it for active distribution by Vidéographe. Please note however that acceptance into the Technical Support Program does not guarantee that your work will be distributed.

Required

  • Candidates must possess full editorial and creative control of the project.
  • Projects must be independent and non-commercial.
  • Projects that have received support through this program may not be re-submitted.
  • Student projects are not admissible.
  • We encourage traditionally under-represented artists to submit a project. Vidéographe is driven by the conviction that multiple points of views are necessary to enrich society and the discipline we work in.

Selection process

Works will be chosen by a selection committee made up of Vidéographe staff and members.

Projects that are retained will be subject to a contractual agreement between the artist and Vidéographe. Schedules, revised budgets, and requirements regarding equipment, rooms, and technical support will be planned and clearly laid out, as will the terms and conditions relative to each party.

Application file:

  • Contact information and website if applicable
  • Project description (500 words)
  • Schedule; (Overall project timeline and detailed timeline for support for creation).
  • Technical needs; (Please consult our website for more details on our editing suites and equipment).
  • Resume.
  • Supporting documentation (current or past projects);
  • Maximum 10 minutes of video footage. Please send a link to your video(s). Do not forget to include the password if applicable; and/or maximum 15 images (max: 1024 px wide, 72 dpi); sketches, plans, and mock-ups may also be submitted in PDF format.

Submission of your file

Applications will be accepted by email only. An acknowledgment of receipt will be sent. Please write TECHNICAL SUPPORT PROGRAM in the subject heading of your email and send your file to info@videographe.org. Please send your file as a SINGLE PDF document (including links to videos). Files found in the text section of the email will not be taken into account.

Please allow three weeks for a response. Vidéographe chooses eight projects per year.

© Nathalie Bujold

Works – Nathalie Bujold

Book launch at 6 pm followed by a screening at 7 pm

May 30, 2024
Dazibao Gallery

Free entry



To celebrate the publication of Nathalie Bujold’s monograph “Work,” Dazibao and Vidéographe present a special event. This occasion not only marks the launch of the publication but also showcases a curated selection of her artistic journey.

Spanning over two decades of experimental exploration, the film program features thirteen videos distributed by Vidéographe, ranging from “Emporium” to “Le chant des cerises.” Each video serves as a milestone in Bujold’s evolution as an artist, capturing her playful exploration of image, sound, and movement.

 

PROGRAM  62 minutes

  • Emporium, 10 min 55 s, 1999
  • Comptes à rebours, 3 min 25 s, 2002
  • La montagne Sainte-Victoire, 5 min 27 s,  2005. 
  • Les trains où vont les choses, 8 min 30 s, 2006
  • All the good things (we could have done), 5 min 13 s, 2008
  • Permanent smile, 4 min 20 s, 2008
  • O.K. Gerard, 4 min 11 s, 2009
  • Cabaret, 11 min 10 s, 2009
  • Merci, 1 min 15 s, 2013
  • Textile de cordes, 1 min 20 s ,2013.
  • Le meilleur de HIT, 4 min 45 s, 2009-2020
  • Métronomies, 48 s, 2022
  • Le chant des cerises, 1 min 07 s, 2023

 

BIOGRAPHY

Nathalie Bujold is a multidisciplinary artist, living and working in Montreal. In 1985,  she was one of the founders of the artist-run centrel’Œil de Poisson in Quebec City. She obtained an undergraduate degree from Université Laval in 1992, where she won the René-Richard Award. In 2008, she was awarded the Artistic Creation Award from the Conseils des arts et des lettres du Québec. In 2016, she received her master’s degree in Studio and Media Arts from UQAM. Her one chanel videos are distributed by Videographe and she is represented by ELLEPHANT gallery.