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 ©  Vanessa Suzanne

Le temps c’est mourir, créer à l’envers
Instructors & speakers :
Gaëlle Étemé, Dougy Hérard, Vanessa Suzanne, Anoush Moazzeni

Presentation and discussion

December 19, 2019
6pm at the Centre des arts de la Maison d'Haïti
3245, Émile-Journault, Montréal

Gratuit



Vidéographe and Maison d’Haïti are pleased to invite you to Le temps c’est mourir, créer à l’envers, an immersive audiovisual work created during a series of workshops offered by Vidéographe at La Maison d’Haïti this autumn. The presentation of this work will be followed by a discussion, during which the co-creators will share their thoughts, discoveries and the issues they encountered over the course of their collaboration.

As a point of departure, the participants were asked to reflect on the principal theme of this collaborative creative project : “explore identity through time and space”. They then embarked on a process of research-creation over the course of 12 workshops, where they were invited to consider questions such as, what does it mean to make art with new technologies? Through what means might a collective identity be performed? What is research-creation? What is the relationship between the creator and the fantasy world?

To realize this work, the participants were given introductory lessons in screenwriting, directing, creative writing, 360-degree video recording, how to use a 3D engine, photogrammetry, video editing and digital sound conception. The workshops were led by a team of Montréal-based Interdisciplianry artists and researchers who had been selected for their ability to impart their knowledge and expertise.

This project was offered free of charge to young adults aged 18 – 25 as part of a mediation and digital exploration program for cultural communities run by Vidéographe in partnership with the community organization La Maison d’Haïti and thanks to financial support from the City of Montréal and the government of Québec.

Instructors :

  • Gaëlle Étémé: Researcher in Human and Social Sciences
  • Dougy Hérard: Multimedia Artist and Virtual Reality Programmer
  • Vanessa Suzanne: Multimedia artist/researcher
  • Anoush Moazzeni: Reseracher-Creator, Interdisciplianry Composer, Concert Pianist and New Media Artist

Participants & Co-Creators :

  • Maxis Darrow
  • Bertito Desbluines
  • Vanessa Exama
  • Nathanael Fleuriné
  • Jesse Lessard
  • Jean-Hary Lutrin
  • Dwight Myrtil
  • Victoria Platel
  • Mohammad Popal
  • Axel Sui Nal

Director and project coordinator : Anoush Moazzeni

PRESENTATION
Thursday December 19, 2019
6pm at the Centre des arts de la Maison d’Haïti
3245 Émile-Journault, Montréal
Free
*The discussion will be in French. The event is presented in barrier-free spaces. Welcome, everybody!

 

© Charlotte Clermont, Plants Are Like People, 2018

Technical Support Program

Call for submissions

Deadline : March 1st, 2022



CALL FOR SUBMISSIONS

Deadline : March 1st, 2021

* New: 4 calls for submissions per year

Program description

The Technical Support Program is intended to support artists interested in experimentation and in pushing the boundaries of the moving image in all its forms.
This support can be used in the production phase of the project or in the post-production phase.

A total of 4 calls for submissions per year will be made, for which the following are the deadlines;

  • March 1st (for projects that will start between April and June)
  • June 1st (for projects that will start between July and September)
  • September 1st (for projects that will start between October and December)
  • December 1st (for projects that will start between January and March)

Please note that 2 projects per call for submissions will be selected.

Artists selected under this program have free access to:

  • Our editing suites, sound booth and digitizing equipment for a maximum of two weeks. These two weeks can be contiguous or spread over 3 months.
  • Free access to available equipment belonging to Vidéographe.
  • Two meetings with Vidéographe’s team to discuss the project and its circulation potential: one meeting at the start of the project in order to specify the needs and a second meeting at the end of the project.
  • The possibility of organizing a private screening at Vidéographe.

It is not necessary to be a member of Vidéographe to apply; however, should your proposal be accepted, we will ask that you become a member. Once you have signed the agreement, you will have three months to take advantage of the benefits that this program has to offer. Regular membership fees are $50 + tx per year and student membership fees are $25 + tx per year.

We are looking to support independent experimental or documentary works that stand apart for their currency and endeavour to renew the artistic language. We will accept proposals for single-channel video, installation, Web-based work, and all other forms of moving image. We consider all genres—video art, experimental work, fiction, documentary or essay form, animation, dance video, and videoclip. Please note that all works must be independent and non-commercial. Projects of a conventional nature, such as classic short narrative film or television documentary will not be considered.

Once your project is finished, you may submit it for active distribution by Vidéographe. Please note however that acceptance into the Technical Support Program does not guarantee that your work will be distributed.

Required

  • Candidates must possess full editorial and creative control of the project.
  • Projects must be independent and non-commercial.
  • Projects that have received support through this program may not be re-submitted.
  • Student projects are not admissible.
  • We encourage traditionally under-represented artists to submit a project. Vidéographe is driven by the conviction that multiple points of views are necessary to enrich society and the discipline we work in.

Selection process

Works will be chosen by a selection committee made up of Vidéographe staff and members.

Projects that are retained will be subject to a contractual agreement between the artist and Vidéographe. Schedules, revised budgets, and requirements regarding equipment, rooms, and technical support will be planned and clearly laid out, as will the terms and conditions relative to each party.

Application file:

  • Contact information and website if applicable
  • Project description (500 words)
  • Schedule; (Overall project timeline and detailed timeline for support for creation).
  • Technical needs; (Please consult our website for more details on our editing suites and equipment).
  • Resume.
  • Supporting documentation (current or past projects);
  • Maximum 10 minutes of video footage. Please send a link to your video(s). Do not forget to include the password if applicable; and/or maximum 15 images (max: 1024 px wide, 72 dpi); sketches, plans, and mock-ups may also be submitted in PDF format.

Submission of your file

Applications will be accepted by email only. An acknowledgment of receipt will be sent. Please write TECHNICAL SUPPORT PROGRAM in the subject heading of your email and send your file to info@videographe.org. Please send your file as a SINGLE PDF document (including links to videos). Files found in the text section of the email will not be taken into account.

Please allow three weeks for a response. Vidéographe chooses eight projects per year.