X letter representing a close icon

© Najwa Najjar, Lifting The Mask, 2020

Reflection From Palestine During Covid-19

Screening

September 25, 2020, 7:30pm
MAI (Montréal, arts interculturels)

SOLD OUT



In partnership with Vidéographe, AXENÉO7 and Filmlab Palestine,, the MAI presents athe special screening Reflection From Palestine During Covid-19 in conjunction with the current exhibition Live in Palestine, which runs until October 24, 2020. The screening will take place in the MAI Theatre on Friday September 25, at 7:30 PM.

The program includes the North American premiere of the complete series Reflection from Palestine COVID-19, featuring short works produced by Filmlab Palestine (www.flp.ps) and directed by some of the most renowned Palestine filmmakers working today. They welcome us into their worlds, where they share their thoughts, their fears and their anger. The series will be followed by the performance document Majid Daiman Motawajid by Varvara Razak.

* Please note that the program will also be broadcastis also available online.

 

PROGRAM AND DESCRIPTION
(In English and Arabic with subtitles.)

Laila Abbas, Blurry 2020, 5 min 39 s
In times of lockdown, try not to sit on your glasses. Life is already blurry enough. And in Palestine, there is always something else going on.

Najwa Najjar, Lifting The Mask, 2020, 4 min 17 s
As COVID-19 blinds the world and people hide behind their masks, Lifting the Mask uncovers the reality on the ground, as Israel prepares to annex more Palestinian land, this time using the pandemic as a cover.

Bilal Alkhatib, Retreat, 2020, 4 min 12 s
Shots that takes us from the ordinary friendly reality to a world of isolation, perplexity, and fear, to mysterious, unfamiliar, and unknown worlds.

Ihab Jadallah, The End Is Here, 2020, 6 min 26 s
Lockdown, social distancing, strictly controlled neighborhoods, behind the scenes of this epidemic, a plan conceived long ago is being put in practice.

Annemarie Jacir, (a) live, 2020, 1 min 13 s 
(a) live is a montage of moments taken from live videos of well-known Palestinian artists in home isolation and their struggle with a changing world, with technology, and with finding ways to connect to others.

Majdi El-Omari, Between Me and You, 2020, 6 min 36 s
Between Me and You, like a journey of a day. With the help of others, a filmmaker/teacher gathers the strength and perseverance to rediscover the link he has lost with the outer world because of the effects of the quarantine.

Maha Haj, MAY, 2020, 5 min 19 s
Locked down with “Eva” during the Nakba Anniversary.

Dima Abu Ghosh, One Step Backwards.. Two Steps Forward, 2020, 5 min 36 s
Suddenly you discover how wonderful your restricted freedom is, how scary it is that an unknown danger surrounds you, and how fragile and beautiful this life is.

Mohamed Harb, The Echo Chamber, 2020, 4min 48 s
A surveillance camera in the corner of the room. On one side, the camera observes the days of the artists, and on the other side, it observes the news of the world through the television screen which is broadcasting the latest news about the Coronavirus crisis. The artist has assembled and edited the documentary footage into a contemporary artwork that illustrates his hope to survive.

Muayad Alayan, While We Waited For You, 2020, 6 min 32 s
A short diary during the COVID-19 lockdown and confinement in Palestine by the director and his journalist wife as they await the birth of their child.

Varvara Razak, Majid Daiman Motawajid (working title), 2020, duration TBD
Majid Daiman Motawajid is a document of a 23 hour performance that reenacts the torture method used by the Israeli occupation against Palestinian prisoners from East Jerusalem. Inspired by her relative who was imprisoned and interrogated for 23 hours a day for 20 days, and forced to listen to a song called Majid, which an arabic version of the opening song of Disney’s children’s cartoon Pinocchio.

Logo MAI
Logo axeneo7

© Charlotte Clermont, Plants Are Like People, 2018

Technical Support Program

Call for submissions

Deadline : March 1st, 2022



CALL FOR SUBMISSIONS

Deadline : March 1st, 2021

* New: 4 calls for submissions per year

Program description

The Technical Support Program is intended to support artists interested in experimentation and in pushing the boundaries of the moving image in all its forms.
This support can be used in the production phase of the project or in the post-production phase.

A total of 4 calls for submissions per year will be made, for which the following are the deadlines;

  • March 1st (for projects that will start between April and June)
  • June 1st (for projects that will start between July and September)
  • September 1st (for projects that will start between October and December)
  • December 1st (for projects that will start between January and March)

Please note that 2 projects per call for submissions will be selected.

Artists selected under this program have free access to:

  • Our editing suites, sound booth and digitizing equipment for a maximum of two weeks. These two weeks can be contiguous or spread over 3 months.
  • Free access to available equipment belonging to Vidéographe.
  • Two meetings with Vidéographe’s team to discuss the project and its circulation potential: one meeting at the start of the project in order to specify the needs and a second meeting at the end of the project.
  • The possibility of organizing a private screening at Vidéographe.

It is not necessary to be a member of Vidéographe to apply; however, should your proposal be accepted, we will ask that you become a member. Once you have signed the agreement, you will have three months to take advantage of the benefits that this program has to offer. Regular membership fees are $50 + tx per year and student membership fees are $25 + tx per year.

We are looking to support independent experimental or documentary works that stand apart for their currency and endeavour to renew the artistic language. We will accept proposals for single-channel video, installation, Web-based work, and all other forms of moving image. We consider all genres—video art, experimental work, fiction, documentary or essay form, animation, dance video, and videoclip. Please note that all works must be independent and non-commercial. Projects of a conventional nature, such as classic short narrative film or television documentary will not be considered.

Once your project is finished, you may submit it for active distribution by Vidéographe. Please note however that acceptance into the Technical Support Program does not guarantee that your work will be distributed.

Required

  • Candidates must possess full editorial and creative control of the project.
  • Projects must be independent and non-commercial.
  • Projects that have received support through this program may not be re-submitted.
  • Student projects are not admissible.
  • We encourage traditionally under-represented artists to submit a project. Vidéographe is driven by the conviction that multiple points of views are necessary to enrich society and the discipline we work in.

Selection process

Works will be chosen by a selection committee made up of Vidéographe staff and members.

Projects that are retained will be subject to a contractual agreement between the artist and Vidéographe. Schedules, revised budgets, and requirements regarding equipment, rooms, and technical support will be planned and clearly laid out, as will the terms and conditions relative to each party.

Application file:

  • Contact information and website if applicable
  • Project description (500 words)
  • Schedule; (Overall project timeline and detailed timeline for support for creation).
  • Technical needs; (Please consult our website for more details on our editing suites and equipment).
  • Resume.
  • Supporting documentation (current or past projects);
  • Maximum 10 minutes of video footage. Please send a link to your video(s). Do not forget to include the password if applicable; and/or maximum 15 images (max: 1024 px wide, 72 dpi); sketches, plans, and mock-ups may also be submitted in PDF format.

Submission of your file

Applications will be accepted by email only. An acknowledgment of receipt will be sent. Please write TECHNICAL SUPPORT PROGRAM in the subject heading of your email and send your file to info@videographe.org. Please send your file as a SINGLE PDF document (including links to videos). Files found in the text section of the email will not be taken into account.

Please allow three weeks for a response. Vidéographe chooses eight projects per year.