X letter representing a close icon
personnages de loin, paysage, herbe, montagne

© Mario Côté, Les Saisons Sullivan, 2007

Introduction to Adobe Premiere Pro
with Pier-Philippe Chevigny

Workshop

January 9-10-16-17-23-24, 2021
Online

180$ + taxes



36 hours of group learning

Workshop plan

Registration deadline: December 6th, 2020 inclusively.

Click here to register

The selected participants will be contacted during the week of December 7th, 2020. This workshop can receive 10 persons.

Description

At the end of the workshop, which is aimed for beginners in video editing, participants will have an excellent understanding of how the software works. They will have acquired the autonomy to start a new project, to carry out its editing and export. They will also have acquired the theoretical bases necessary to understand digital video as well as a number of useful tips for the efficiency of an editor’s job.

Students are invited to bring a short project (short fiction, documentary, music video, event recording, etc.), of a maximum duration of five minutes, on which they can practice during the training. In the absence of such a project, students will be invited to download a test project provided by the trainer.

Conditions of admission

This course is intended for artists or those working or seeking work in the field of media arts. Applicants should reside on the island of Montréal and be available throughout the duration of the course, which is partly funded by Emploi-Québec.

Computer and software

The training will be given online via Zoom. Participants must have a functional and up-to-date version of Adobe Premiere Pro software on their computer. Computers will be made available on demand for the duration of the course, subject to availability.

Where: Online
When: January 9-10-16-17-23-24, 2021 from 9:30 to 12:30 am and from 1:30 to 4:30 pm
Price : 180$ + taxes

This course will be given in French.

For further information about courses, please contact:
Charlie Carroll-Beauchamp
info@videographe.org

 

Pier-Philippe Chevigny

Pier-Philippe Chevigny is a director, screenwriter and editor from Montreal, Quebec. He has worked on a wide variety of projects including music videos, documentaries, television shows and commercial spots. His fiction films focus on sociopolitical themes such as immigration and social justice. For the past few years, his short films such as Tala, Vétérane, or more recently Recrue, launched in 2019 in competition at the prestigious Toronto International Film Festival, have earned him international attention. Pier-Philippe is currently working on the development of two projects of feature-length film.


					
				

© Charlotte Clermont, Plants Are Like People, 2018

Technical Support Program

Call for submissions

Deadline : March 1st, 2022



CALL FOR SUBMISSIONS

Deadline : March 1st, 2021

* New: 4 calls for submissions per year

Program description

The Technical Support Program is intended to support artists interested in experimentation and in pushing the boundaries of the moving image in all its forms.
This support can be used in the production phase of the project or in the post-production phase.

A total of 4 calls for submissions per year will be made, for which the following are the deadlines;

  • March 1st (for projects that will start between April and June)
  • June 1st (for projects that will start between July and September)
  • September 1st (for projects that will start between October and December)
  • December 1st (for projects that will start between January and March)

Please note that 2 projects per call for submissions will be selected.

Artists selected under this program have free access to:

  • Our editing suites, sound booth and digitizing equipment for a maximum of two weeks. These two weeks can be contiguous or spread over 3 months.
  • Free access to available equipment belonging to Vidéographe.
  • Two meetings with Vidéographe’s team to discuss the project and its circulation potential: one meeting at the start of the project in order to specify the needs and a second meeting at the end of the project.
  • The possibility of organizing a private screening at Vidéographe.

It is not necessary to be a member of Vidéographe to apply; however, should your proposal be accepted, we will ask that you become a member. Once you have signed the agreement, you will have three months to take advantage of the benefits that this program has to offer. Regular membership fees are $50 + tx per year and student membership fees are $25 + tx per year.

We are looking to support independent experimental or documentary works that stand apart for their currency and endeavour to renew the artistic language. We will accept proposals for single-channel video, installation, Web-based work, and all other forms of moving image. We consider all genres—video art, experimental work, fiction, documentary or essay form, animation, dance video, and videoclip. Please note that all works must be independent and non-commercial. Projects of a conventional nature, such as classic short narrative film or television documentary will not be considered.

Once your project is finished, you may submit it for active distribution by Vidéographe. Please note however that acceptance into the Technical Support Program does not guarantee that your work will be distributed.

Required

  • Candidates must possess full editorial and creative control of the project.
  • Projects must be independent and non-commercial.
  • Projects that have received support through this program may not be re-submitted.
  • Student projects are not admissible.
  • We encourage traditionally under-represented artists to submit a project. Vidéographe is driven by the conviction that multiple points of views are necessary to enrich society and the discipline we work in.

Selection process

Works will be chosen by a selection committee made up of Vidéographe staff and members.

Projects that are retained will be subject to a contractual agreement between the artist and Vidéographe. Schedules, revised budgets, and requirements regarding equipment, rooms, and technical support will be planned and clearly laid out, as will the terms and conditions relative to each party.

Application file:

  • Contact information and website if applicable
  • Project description (500 words)
  • Schedule; (Overall project timeline and detailed timeline for support for creation).
  • Technical needs; (Please consult our website for more details on our editing suites and equipment).
  • Resume.
  • Supporting documentation (current or past projects);
  • Maximum 10 minutes of video footage. Please send a link to your video(s). Do not forget to include the password if applicable; and/or maximum 15 images (max: 1024 px wide, 72 dpi); sketches, plans, and mock-ups may also be submitted in PDF format.

Submission of your file

Applications will be accepted by email only. An acknowledgment of receipt will be sent. Please write TECHNICAL SUPPORT PROGRAM in the subject heading of your email and send your file to info@videographe.org. Please send your file as a SINGLE PDF document (including links to videos). Files found in the text section of the email will not be taken into account.

Please allow three weeks for a response. Vidéographe chooses eight projects per year.