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image couleur, une femme qui danse

IMAGE: © Damian Siquieros, Je Parle, 2021
Dancer: Caroline Namts

dv_vd: Cai Glover, Je Parle

Programming and discussion


February 25, 2021, 5pm
Live on Dazibao Facebook Livestream and Vidéographe's YouTube Channel

Free



As part of the third season of the dv_vd series, Vidéographe and Dazibao are pleased to dedicate an evening to dancer and choreographer Cai Glover, who took part of the research residency aimed at d/Deaf artists, researchers, and curators at Vidéographe.

The dancer will present a video program of works selected from the Vidéographe’s collection as well as the result of his residency, the video-dance “Je Parle“. A discussion between Cai Glover, the cinematographer Max Machado and the dancer John Michael Canfield will follow the presentation.

*The talk will happen in English, and will be accessible in ASL.

► Direct broadcast on the Dazibao Facebook page and the Vidéographe’s YouTube channel.

With this project, Glover is interested in how we experience authenticity through our relationships with others. His research on the communicability of signed language is based on the tensions that exist between experiencing one’s own mental state and our need for contact with the other in order to constitute ourselves as individuals.

Cai Glover about his project:
Je Parle’ is an internalized discussion between an identified self that sits unmistakably outside the supported hilltops of an able majority and the voice that silences a plea for recognition and existence. Can your actions be congruent with your desires if you are situated in a formless space or perhaps more literally a society that fails to acknowledge your own borders and therefore the space you seek to inhabit?

We uncover a dialogue both wished for and feared which in itself amounts to the crux of the matter: in living through the development and identification of the self, we must be feel as both the subject and the object; an authentic self is then both created and discovered and can only do so in the throes of a relational entanglement. The speaking hands are recognized by the gaze of another. To be me, I need you.

Je Parle, 2021, poem by Cai Glover

 

PROGRAM (32 min)
Marlene Millar et Philip Szporer, Butte, 5 min 40 s, 2007
Aude Vuillemin, je marche, 7 min 18 s, 2017
Xavier Curnillon, À tes pulsions, 8 min 32 s, 2017
Yoakim Bélanger, If I Can Fly, 10 min 27 s, 2010

Behind the scenes of Je Parle, 6 min 30 s
Cai Glover, Je Parle, 12 min

 

 Consult the full program [+]

Trailer:

 

BIOGRAPHIES
Cai Glover
has devoted more than 20 years of his life to the study of dance and the performing arts. He never tires of the search in finding ways to affect audiences through this art form and to appeal to the varied and countless emotional experiences of the human being. Among the many collaborations of his career that have seen him working in Vancouver, Atlanta, Kelowna, New York, Thailand, Birmingham, London, Paris and Montreal, Cai has worked with Henry Daniel, Paras Tarezakis, Josh Beamish, Judith Garay, Vanessa Goodman, Simone Orlando, Lauri Stallings, Gioconda Barbuto, Edgar Zendejas, Morgane Le Tiec and Hélène Blackburn. Cai has spent the last 6 years dancing with Cas Public under the direction of Hélène Blackburn. caspublic.org/cai-glover

John Michael Canfield
Originally from Virginia, John Michael Canfield is a graduate of Canada’s National Ballet School, where he trained for 5 years. Over the years, he has worked with companies across Canada, alongside to choreographers including Aszure Barton, Wen Wei Wang, Yukichi Hattori and Anne Plamondon. He joins Cas Public for its 2020-2021 season caspublic.org/john-michael-canfield

Max Machado is a cinematographer that moved a bit around the globe before finding home in Montreal, QC, Canada. Always interested in creating meaningful, unique and powerful content, Max shoots fiction films, documentary projects and branded content. Projects include Daughters of the Voice (CBC), A People’s Soundtrack (PBS), Reflexion (XCircus), Hallelujah (QueerCircus), Hannah & the Wolf (Cas Public) and Faraway (RIDM, Slamdance). He was the recipient of the Jean-François Bourassa Memorial Award for his work in Amal (2018) and L’appétit des garçons (2018) and was nominated for one of the Canadian Society of Cinematographers awards for his work in Amal (2018). His short films were awarded and screened in over 35 film festivals around the world, in countries like Canada, USA, Poland, Scotland, Morocco, Serbia, Ukraine, India, Puerto Rico, Mexico, Belgium, Croatia, Spain, Germany, Indonesia, Austria and England. maxmachado.ca

 

 

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© Charlotte Clermont, Plants Are Like People, 2018

Technical Support Program

Call for submissions

Deadline : March 1st, 2022



CALL FOR SUBMISSIONS

Deadline : March 1st, 2021

* New: 4 calls for submissions per year

Program description

The Technical Support Program is intended to support artists interested in experimentation and in pushing the boundaries of the moving image in all its forms.
This support can be used in the production phase of the project or in the post-production phase.

A total of 4 calls for submissions per year will be made, for which the following are the deadlines;

  • March 1st (for projects that will start between April and June)
  • June 1st (for projects that will start between July and September)
  • September 1st (for projects that will start between October and December)
  • December 1st (for projects that will start between January and March)

Please note that 2 projects per call for submissions will be selected.

Artists selected under this program have free access to:

  • Our editing suites, sound booth and digitizing equipment for a maximum of two weeks. These two weeks can be contiguous or spread over 3 months.
  • Free access to available equipment belonging to Vidéographe.
  • Two meetings with Vidéographe’s team to discuss the project and its circulation potential: one meeting at the start of the project in order to specify the needs and a second meeting at the end of the project.
  • The possibility of organizing a private screening at Vidéographe.

It is not necessary to be a member of Vidéographe to apply; however, should your proposal be accepted, we will ask that you become a member. Once you have signed the agreement, you will have three months to take advantage of the benefits that this program has to offer. Regular membership fees are $50 + tx per year and student membership fees are $25 + tx per year.

We are looking to support independent experimental or documentary works that stand apart for their currency and endeavour to renew the artistic language. We will accept proposals for single-channel video, installation, Web-based work, and all other forms of moving image. We consider all genres—video art, experimental work, fiction, documentary or essay form, animation, dance video, and videoclip. Please note that all works must be independent and non-commercial. Projects of a conventional nature, such as classic short narrative film or television documentary will not be considered.

Once your project is finished, you may submit it for active distribution by Vidéographe. Please note however that acceptance into the Technical Support Program does not guarantee that your work will be distributed.

Required

  • Candidates must possess full editorial and creative control of the project.
  • Projects must be independent and non-commercial.
  • Projects that have received support through this program may not be re-submitted.
  • Student projects are not admissible.
  • We encourage traditionally under-represented artists to submit a project. Vidéographe is driven by the conviction that multiple points of views are necessary to enrich society and the discipline we work in.

Selection process

Works will be chosen by a selection committee made up of Vidéographe staff and members.

Projects that are retained will be subject to a contractual agreement between the artist and Vidéographe. Schedules, revised budgets, and requirements regarding equipment, rooms, and technical support will be planned and clearly laid out, as will the terms and conditions relative to each party.

Application file:

  • Contact information and website if applicable
  • Project description (500 words)
  • Schedule; (Overall project timeline and detailed timeline for support for creation).
  • Technical needs; (Please consult our website for more details on our editing suites and equipment).
  • Resume.
  • Supporting documentation (current or past projects);
  • Maximum 10 minutes of video footage. Please send a link to your video(s). Do not forget to include the password if applicable; and/or maximum 15 images (max: 1024 px wide, 72 dpi); sketches, plans, and mock-ups may also be submitted in PDF format.

Submission of your file

Applications will be accepted by email only. An acknowledgment of receipt will be sent. Please write TECHNICAL SUPPORT PROGRAM in the subject heading of your email and send your file to info@videographe.org. Please send your file as a SINGLE PDF document (including links to videos). Files found in the text section of the email will not be taken into account.

Please allow three weeks for a response. Vidéographe chooses eight projects per year.