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© Pierre Hébert, Mount Fuji seen from a moving train, 2021

Mount Fuji seen from a moving train, a film by Pierre Hébert
World Premiere

PROGRAMMING

From May 11th, 2021
Cinémathèque québécoise

Cinémathèque québécoise's price scale



Vidéographe is proud to announce that the World Premiere of Pierre Hebert’s latest film, Mount Fuji seen from a moving train, will take place at the Cinémathèque québécoise as part of their New Releases Programme.

The film will premiere on May 11th, 15th, 16th, followed by a discussion with the director. The Cinémathèque québécoise will also present a retrospective of the Places and Monuments series by Pierre Hébert, of which Mount Fuji seen from a moving train is the 11th chapter, from May 11th – 14th.

 

Film synopsis

A poetic and animated meditation based on the impressions experienced by Pierre Hébert during his two trips in Japan, in 2003 and in 2018. Images and sounds, but also captures of his performances, most notably one with the dancer-choreographer Teita Iwabushi. In a certain way, the film tries to answer a fictional question: what is to be seen of Japan when Mount Fuji is invisible, lost in the clouds? Evocation of paradoxical invisibility.

Total duration: 81 min

Genre: Animation, Experimental

 

Access the programme and ticket sales [+]

► Trailer

 

ABOUT

Pierre Hébert

Director of more than 40 films, including three features, Pierre Hébert worked at the National Film Board of Canada from 1965 to 1999. Since then, his filmmaking work has taken a multidisciplinary scope (live animation performances with musicians, video installations, collaboration with choreographers, drawing, and actions on the web). He also wrote several books and articles about cinéma. He recently resumed doing direct scratch animation for which he was well known in the ’80s and the 90’s. He received, in 2005, the Quebec «Albert Tessier» Cinema award for his complete works, in 2012, a career grant of Conseil des arts et des lettres du Québec and, in 2018, an Honorary Doctorate by the Emily Carr University of Art and Design, in Vancouver. (pierrehebert.com)

 

Cinémathèque québécoise Art and Test Center

The mission of the Cinémathèque québécoise Art and Test Center (CAECQ) is primarily to program documentaries and independent Quebec fiction films, but also international documentaries, animated films, and foreign films with French subtitles. Favoring opportunities for meetings between the public and the filmmakers. Its programming is presented jointly with that of the Cinémathèque québécoise – New Releases. […]

 

© Charlotte Clermont, Plants Are Like People, 2018

Technical Support Program

Call for submissions

Deadline : March 1st, 2022



CALL FOR SUBMISSIONS

Deadline : March 1st, 2021

* New: 4 calls for submissions per year

Program description

The Technical Support Program is intended to support artists interested in experimentation and in pushing the boundaries of the moving image in all its forms.
This support can be used in the production phase of the project or in the post-production phase.

A total of 4 calls for submissions per year will be made, for which the following are the deadlines;

  • March 1st (for projects that will start between April and June)
  • June 1st (for projects that will start between July and September)
  • September 1st (for projects that will start between October and December)
  • December 1st (for projects that will start between January and March)

Please note that 2 projects per call for submissions will be selected.

Artists selected under this program have free access to:

  • Our editing suites, sound booth and digitizing equipment for a maximum of two weeks. These two weeks can be contiguous or spread over 3 months.
  • Free access to available equipment belonging to Vidéographe.
  • Two meetings with Vidéographe’s team to discuss the project and its circulation potential: one meeting at the start of the project in order to specify the needs and a second meeting at the end of the project.
  • The possibility of organizing a private screening at Vidéographe.

It is not necessary to be a member of Vidéographe to apply; however, should your proposal be accepted, we will ask that you become a member. Once you have signed the agreement, you will have three months to take advantage of the benefits that this program has to offer. Regular membership fees are $50 + tx per year and student membership fees are $25 + tx per year.

We are looking to support independent experimental or documentary works that stand apart for their currency and endeavour to renew the artistic language. We will accept proposals for single-channel video, installation, Web-based work, and all other forms of moving image. We consider all genres—video art, experimental work, fiction, documentary or essay form, animation, dance video, and videoclip. Please note that all works must be independent and non-commercial. Projects of a conventional nature, such as classic short narrative film or television documentary will not be considered.

Once your project is finished, you may submit it for active distribution by Vidéographe. Please note however that acceptance into the Technical Support Program does not guarantee that your work will be distributed.

Required

  • Candidates must possess full editorial and creative control of the project.
  • Projects must be independent and non-commercial.
  • Projects that have received support through this program may not be re-submitted.
  • Student projects are not admissible.
  • We encourage traditionally under-represented artists to submit a project. Vidéographe is driven by the conviction that multiple points of views are necessary to enrich society and the discipline we work in.

Selection process

Works will be chosen by a selection committee made up of Vidéographe staff and members.

Projects that are retained will be subject to a contractual agreement between the artist and Vidéographe. Schedules, revised budgets, and requirements regarding equipment, rooms, and technical support will be planned and clearly laid out, as will the terms and conditions relative to each party.

Application file:

  • Contact information and website if applicable
  • Project description (500 words)
  • Schedule; (Overall project timeline and detailed timeline for support for creation).
  • Technical needs; (Please consult our website for more details on our editing suites and equipment).
  • Resume.
  • Supporting documentation (current or past projects);
  • Maximum 10 minutes of video footage. Please send a link to your video(s). Do not forget to include the password if applicable; and/or maximum 15 images (max: 1024 px wide, 72 dpi); sketches, plans, and mock-ups may also be submitted in PDF format.

Submission of your file

Applications will be accepted by email only. An acknowledgment of receipt will be sent. Please write TECHNICAL SUPPORT PROGRAM in the subject heading of your email and send your file to info@videographe.org. Please send your file as a SINGLE PDF document (including links to videos). Files found in the text section of the email will not be taken into account.

Please allow three weeks for a response. Vidéographe chooses eight projects per year.